#and sure the repost art problem is….still happening with my current art

[kabukiaku]

old followers…call me crazy but, I’m getting nostalgia for my old moontoffee + monster!Star art??? Hello??? I think it’s because I’m back into my human/monster ship trope era.

Despite star vs the forces of evil running into the gutter in terms of quality and show direction, I remembered how cute my AU art was. So yeah. Call it growth.

Edit: oh my God a monstar OOAK doll. That would be so CUTE. gonna keep that in mind.

[amxrany]

From the River to the Sea: Palestine Will Be Free

I know I'm not as active as I used to be in the past, but I want to use my voice to tell people to stand with Palestine. What is currently happening to them is the denial of human rights and a genocide still going on which is done by Israel. Lives have been lost and people still refuse to open their eyes that this problem, can lead to so many more.

What I am simply asking of you is to boost the voices of the victims, and treat them as humans not a statistic. If you cannot donate money to charities, there are still plenty of ways that we can help them.

Here are some of them:

Boycott companies who support Israel, such as not buying from them (the post included explains why trying to boycott all companies at once is not possible but if we focus on some then there will be more of a significant impact)

2. Repost anything that will help strengthen the voices of Palestinian people

3. When sharing news, make sure to check your sources to prevent the spread of misinformation and disinformation, because it will spread fast

4. DO NOT TREAT THIS AS A TREND, DO NOT BE A PERFORMATIVE ACTIVIST (like clogging up the tag #freepalestine with things not related to the situation), what Palestine needs is ongoing support from people who truly care; not support that will just last for a couple of hours from people who are looking for clout

5. DO NOT GUILT TRIP PEOPLE INTO SUPPORTING PALESTINE, it will just scare them and cause them to blindly support sources that possibly spread misinformation

6. You can also reblog/retweet the art made by artists all around the world who show their support for Palestine, as it expresses their sorrow and empathy about the situation

From our own little ways, what we are doing is strengthening their voices through various means such as the internet, I will also provide a link to websites/organizations where you can help aid Palestine; if you can do it, then go do it.

But I want to end this post the same way I started it:

From the River to the Sea: Palestine Will Be Free

[usagifuyusummer]

Oh wow!!! Yippee!!! Some of the stuff you've shared so far regarding this FOP AU!!! I am your number one fan on this hahahah lmao (and now co-creator too hahaha). 🥳🥳🥳💞💞💞💖💖💖🎉🎉🎉🎉

I'll share the links of the related posts regarding the FOP AU down here too. (I'll also repost the one link you've shared too, just to have clearer notes on what has been conceptualised.)

Origin Discussion Posts

Updated Character Designs 1

Concept Art 1: Boy with a Parasol

Tumblr Asks 1

More ramblings on my thoughts about this down below lol. I hope the formatting is okay... Or not, I will edit this post a lot...

But yes!!! I am now in a collab with @keyintheeye-blog on this FOP AU because I love their original designs and thoughts they shared before. PLUS, I really want to see OG FOP in a more horror classical era fairytale-ish style. Like we have discussed the set-up narrative but it will take a while to streamline everything. (We're both university level students, so I think you get the picture of how busy we really are lmao.)

Good News! (Or maybe lukewarm-ish lol) I am here for the long game!!! As I've decided this is something I wanted to commit as... I know I don't have much time left to do on what I really love, which is the creative arts.

Why FOP though, and not any other works of media? Because, I've noticed that FOP, despite its really unique concept, and wonderful colorful visuals, and so many more that I adore about the OG, doesn't get as much love as I think it deserves (not including the new iteration of the show)... and I acknowledge that this is due to the part of the multiple problems the show suffered throughout its run.

Can't change what's already happened in the past... so, I've been thinking of wanting to create something, anything, that I can personally enjoy (and possibly others too). Similar to the many amazing fanworks that I've seen and read from the other fandoms!!! I am very thankful that they took the time to create and leave behind such wonderful materpieces for anyone who had the chance to find them in this vast digital space (for free even!!!). Hence, why I'm now here assisting and contributing a fanwork for FOP, and not on the other millions of works of media that I still love and adore.

(One fanwork that I've been amazed so far on FOP is the works of Metala Kahame from Fanfiction.net. I'm currently reading their fic, Broken Child. Really slowly tho lmao.)

Although, I admit that I still have a long way to go in terms of my artistic abilities... Additionally, I don't think my art works are that amazing personally lmao and this is also the first time I'm doing something like this. So, I don't really have high expectations on being recognized or anything for this self-appointed creative project lol. What's important is that I'm doing this for love!!! and because I want to leave behind something before I drown in the bleakness and harshness of adulthood lmao. (Plus, I'm not sure if this AU can reach its completion..., like I have ideas, but I need to discuss with the creator first.)

Currently, I'm really busy with university preparations stuff. Like, I'm currently packing a lot of stuff as my uni semester starts in October. But, I do have a list of things I want to create for this AU! At this moment (whenever I can manage to lol), I'm in the middle of creating another silly (stupid) short comic to answer the asks I've been getting so far hahaha (there's not a lot really). Then, I want to streamline the narrative timeline of this AU, with other details and concepts (personally with them later hehe) while also, completing the second concept art for this AU.

So yeah, when I'm in the middle of doing a lot of these, I will be my usual art hoarder gopher self and reblog works of art that I can find from other users. (whenever I have the time of course) Like how this blog is usually is lol. A trash blog of the things I love. Thus, if you're reading this far and are interested, I will tag the posts related to this AU properly, so that you won't sift through this trash can of a blog lmao.

I hope we can work together well and have fun while creating this FOP AU together @keyintheeye-blog. Let's fumble through this and learn from our mistakes while we can lmao.

If you're still reading this far, I hope you have a nice day!!! I will impart you a sketch drawing of Timmy threatening you with a saw from the short silly stupid comic that I'm doing to answer the asks lmao. (I think I might be too ambitious on the short comic this time... I need to better formulate stuff...)

Victorian era AU

So, we can't delay any more! I have accumulated concepts and sketches on Victorian AU and I am ready to share them with you!!! YAY!!! FANFARE!!!

Let's start with the fairy flower crowns.

So, I thought it would be fun if there were flowers with meaning in the flower crown, and not just beautiful ones. And of course, there is more than one type of flower in the flower crown. To determine which flowers can be in the flower crown of Cosmo and Wanda, I used the "Language of flowers". The picture is signed with flowers and their meaning so that everything is clear.

I must say right away, yes, it's not that important, it's just a small detail, so if you are a person who wants to draw on the topic of this au, don't worry, it's not necessary to understand colors. Draw flower crowns as your heart desires.

Oh and hey! Look, I drew Jorgen in this Au

Of course, since he is also a fairy, he is just as sparkling shiny and with wings. And of course he cannot be left without a flower crown, but it is woven into his helmet. It seemed like a good idea to give him a Roman helmet. It suits him, because he is all so military, belligerent and definitely has some kind of dominant and protective role in this au. It's still in development, but I'll definitely think through this part more. Well, his wings are the wings of a large beetle, these wings suit him, it would be strange if he had butterfly wings like in the designs of Cosmo and Wanda, so yes, all fairies have insect wings suitable for them.

A little bit about Vicki

So, let's take it in order, otherwise I'm afraid that I'll get confused in my thoughts lol.

There is a manufactory/factory that is definitely owned by Doug Dimmadom (who else?). Child labor is used in this factory, because, well, have you seen children? Have you seen their little nimble hands? They are excellent workers to work with small details! So, Vicky, who is in charge of these poor children, also works there. She probably rose to this position, but it would be funny if her little one was noticed initially as a commander over the children lol.

What else about the Dimmadom family is there in AU? Well, actually not much. Doug is still a tycoon who owns a bunch of businesses, and Dale is probably also kidnapped by Vicky here. Why would she kidnap children for the sake of child labor if she is already in charge of children at work? Well, obviously, more money and power for a woman in this difficult era. We have not considered this in more detail yet

Other things

My dear co-author (@usagifuyusummer) also has good ideas for the storyline of this au! I think I can't reveal all these ideas, because well, work on them is still underway, but I can tell you a little about them.

There is already a pretty detailed idea of how Timmy got to know the fairies, and then got to know Cosmo and Wanda specifically (the first sketch). I don't want to reveal how it all happened yet, but after one situation Cosmo and Wanda followed Timmy everywhere in an attempt to help him (well, or have fun, we already know what kind of fairies they are) and after a long time when unexplained phenomena occurred, Timmy accidentally discovers these two fairies (yes, unsuccessfully falling into the bushes, with who does not happen)

Well, the second sketch as a reference to the work of the Urusami, lol. This art is gorgeous, if you haven't seen it, take a look. Personally, I was delighted with this picture!

And if you have any questions, do not hesitate to ask them, I will be happy to answer!

Thank you all for your attention!!!

[emzurl]

Someone has stolen my identity on Tiktok

So, this morning I found out that someone stole my identity on Tiktok and posted my ML Office AU videos. Here's a long post about what happened and my thoughts.

This account pictured below is NOT ME! 👇🚫

I woke up to a few messages from people who noticed this account and asked if it was me, which it is not since I was not on Tiktok before. Upon visiting this profile, I found the screenshots posted below:

After doing some research, I had to create an account to report them for impersonating me. I wasn't sure how long that would take, so (foolishly) I commented on all of their videos asking for them to stop impersonating me and delete the account. This was probably not the best move since they deleted everything, changed their name, but still kept the account open with my @. They then posted another video claiming to quit and hand the account to someone else - clearly still impersonating me.

I commented again and they had the audacity to pretend like they were doing the right thing. According to Tiktok, having a username (@) of someone else that does not indicate a parody/impersonation of said person is a violation of their rules. I use @/emzurl for everything.

At this point, I had wasted almost an hour of my time. After this, they deleted my comments from the video, so I DM'd them. Instead of doing what I asked, they deleted their videos and changed their name again. This still doesn't change the fact that they have my @.

Currently, I'm at a standstill. Hopefully Tiktok actually takes the account down from my initial report, but I don't know how long that will take. Overall, I've wasted a few hours that I could have used to work on the ML Office AU. My mind is in a fog and I can't really get anything done today because this stressed me out to the point of killing my drive to work. This person has wasted my time and money - for what? 380 followers that they didn't even deserve?

This is why artists speak out against reposters all the time. The amount of stress and time wasted that they cause is a huge problem and one of the biggest reasons creators leave fandoms and stop creating. Stealing an artist's identity is a whole other level.

As you all know, the ML Office AU takes MONTHS to complete AND I have people paying me to support the creation of it. This imposter has insulted not only me, but everyone who financially supports me. They took a few minutes to slap the videos up and reap the undeserved reward.

I've been lucky to not run into problems like this until now (mainly because I'm very lax with reposters). I don't have the time to go searching for and reporting art that has been reposted without credit or straight up stolen and claimed by someone else. It's still frustrating.

I hope that this account gets taken down so I can reclaim my brand/username (my ACTUAL NAME mind you...) so this won't happen again. I don't think anything else can be done, but if you're following that account, please unfollow them. Maybe if they lose enough they'll delete it!

Thank you to everyone who called the account out for me and alerted me to the situation, you're all the best!! 🥰

On a lighter note:

[soulmeshart]

Why Stolitz will be endgame

Since the latest episode of Helluva Boss dropped (episode 5) I’ve been seeing a lot of people simply pointing out that Stolitz is problematic and toxic and that it shouldn’t be shipped. However these people never really think about the fact that  a) this is only the fifth episode b) where the ship is heading So I’m here to talk about that. What we’ve seen in these first 5 episodes is simply a look at what the relationship between these two is and who they are individually. This episode in particular was great because it pointed out two important things to us: 1. Blitzo doesn’t hate Stolas’ and deep down probably craves some sort of romantic relationship between them 2. The core issues of their current relationship Let me elaborate both of these 1. So far we’ve had the impression that Stolas is simply a nuisance to Blitzo and that he is simply using him for the book. All of their interactions up until this episode we’re pretty negative and made it seem like their relationship is purely sexual and that it exists for business reasons only. Episode 2 let us know that Stolas wants to get Blitzo involved in his life outside of the whole “transactional fucking” thing and this episode let us know that, well, Blitzo really doesn’t mind that. Think back to the first scene in episode 5. If Blitzo only wanted a purely professional relationship with Stolas or even hated him(as some people believe for whatever reason), he wouldn’t have agreed to go to the Harvest Moon Festival. There was nothing for him to gain by going there and he agrees to the invite without any real hesitation. This let’s us know that Blitzo doesn’t hate Stolas and is fine with being involved with him outside of their deal. Now for the “craving for some sort of romantic relationship part”. There are 2 hints about this in the episode. The first one comes in the scene where Blitzo tries to explain his relationship with Stolas to Striker and gets really emberassed. Remember what Striker says: “So you even conned that ditzy blue blood into getting you to the surface.” If this was the case Blitzo probably would’ve been proud of himself and simply confirmed that what Striker just said was true. But that wasn’t what happened. He got flustered and started fumbling his words around. The second hint is in the scene when Blitzo finds out that Striker is planning to assassinate Stolas. Striker tries to get to Blitzo to get him to join his side. He keeps telling him things that clearly bother Blitzo. For example: how the system is rigged against him. In those things he also lists the fact that Blitzo is being treated by Stolas as a toy/plaything. Now, why would Blitzo be bothered by this if his and Stolas’ relationship really is purely transactional. If that were the case then they’re both just using eachother and that’s the end of that. Blitzo is using Stolas for the book and Stolas is using Blitzo for sexual favors. Now weather this is or isn’t the case isn’t important here, what’s important is the fact that Blitzo doesn’t want this to be the case. Aka he wants his relationship with Stolas to be something more.

2. Now let’s look at the core issues of their relationship which are all presented in this episode very nicely. Stolas does a lot of condescending things to Blitzo throughout the episode. He baby-talks to him twice, puts out a cigar on his horn (though we know fire doesn’t hurt imps, it’s still disrespectful), he shows him off in public like he’s some sort of thing, etc. Now let me clear this up first, Stolas’ intentions aren’t malicious. He loves and cares about Blitzo. When it comes to the show, we know this because a) If Stolas just wanted to fuck an imp, he could’ve gone to way less trouble to do so and wouldn’t have to lend out his book which is VERY important b) He wouldn’t try to get Blitzo involved with his personal life and the most important person in his life, his daughter. A parent introducing their SO to their child is a pretty big deal. Now Stolas should’ve considered both Blitzo’s and Octavia’s feelings before doing that however we know that he really isn’t experienced with healthy relationships with other people (romantic and platonic). If we’re talking outside of the show, there are official instagram accounts for all of the Helluva Boss characters. The two most active ones are actually Blitzo’s and Stolas’ (jeez i wonder why). Now these accounts we’re confirmed to not be a 100% canon in the sense that not everything that happens there happened in the actual universe of the show. However Viv has stated that these accounts are ran by people who know all of the characters PRETTY GOOD. And in case you haven’t seen these accounts, Blitzo and Stolas have a lot and i mean A LOT of very positive interactions there. Sure we will occasionally get a horny comment left by Stolas’ on one of Blitzo’s posts or even a horny post of his own regarding Blitzo. But what we see more is just genuine wholesome stuff between the two. For example: Stolas constantly leaving positive comments on Blitzo’s posts such as telling him to have fun when he goes to hang out with either Loona or M&M, him supporting Blitzo’s passion for art and horses, we also get to see him putting up missing posters and searching for Blitzo at one point when Blitzo get’s lost. We see him visiting Blitzo to take care of him when he’s sick,etc. The list goes on and on. Obviously most of this didn’t happen but what’s important is the fact that Stolas clearly cares about Blitzo, like, a lot actually. The show hasn’t gone to this point yet but this is clearly where it’s headed. Plus the official twitter account for Helluva Boss reposts a ton of Stolitz fanart and they don’t do this for other ships, except M&M.

Now back to the issues of the relationship. All of the things I’ve listed (the baby talk, the cigar thing,etc.) wouldn’t seem like much of an issue IF there clearly wasn’t a class difference between them. In this episode the show REALLY let’s us know how bad imps have it. It’s rare to see them start businesses, the system is rigged against them, Stolas is also kind of condescending to them in his speech (though it’s obvious he actually does like imps and he isn’t intentionally being like this. He even calls the Harvest Moon Festival “charming”). I don’t think he realizes how inappropriate his behavior is. I think future episodes will almost a 100% tackle the topic of Stolas’ realizing how different the lives of imps are from his. This will also let him have a better understanding of Blitzo. All of his actions towards Blitzo through the episode, even thought they’re made with good intent, to Blitzo it just seems like Stolas sees him as a toy (even thought this isn’t the case).

In short, on one side we have Blitzo who is craving a romantic relationship (specifically with Stolas) but believes that Stolas is simply using him for sexual reasons and deeply dislikes his unintentionally condescending attitude towards him, and on the other side we have Stolas, who had lead a loveless life for years and has finally fallen for someone but is too blinded by his infatuation for Blitzo and the thrill of love to consider how Blitzo is feeling and the difference between their positions.

Now, this ship is going to be an end game ship a 100%. What we’ve seen so far is only what the starting point of their relationship is. They’re both going to grow as the show goes on and so will their relationship. Stolas will learn to consider other peoples emotions (which isn’t only a problem specifically related to Blitzo but also his daughter), the struggles of imps and how to properly convey his emotions so that Blitzo doesn’t mistake them as purely sexual. And Blitzo will also need to learn how to open up his heart and to stop running away from others (which is something he does I’m assuming, it looks like he ran away from his relationship with Verosika and it seems like their relationship was p serious given the fact she has a tattoo with his name).

Also while I do think Striker and Blitzo have a fun dynamic, I don’t think this is even an option as an end game ship. The sexual tension was high but that’s about it. Plus Striker was trying to manipulate Blitzo which isn’t cool in my book. Not against the ship tho.

So yeah, gonna reblog this when these 2 idiots (stolas and blitzo) get together with a big “told ya so”.

[doodlingraka]

Your sketches is so beautiful!! I love Lockwood and co too, but I just wondered if I could ask which book/scene is shown in the drawing where luce, Lockwood and holly are all in the taxi together? And again your work is… I have no words! Thank you so much for reading this and I hope I haven’t caught you at a busy time! Xx 😊

Hello, thanks but pease don't send me anonymous messages, I can't reply privately if you do. That pic is an invented scene it originally had its own caption but it was deleted and put in a sketchdump.

Anyway I am seizing this opportunity to tell a few things, hope you won't mind.

I had a big problem of reposters, thefts and plagiarism which made me stop sharing LW art at all. Not sure it worked because I still get reactions for stuff I did ages ago, but I have never dealt with something like this before and I am very confused on how to handle it. Dealing with this had a learning curve, I used to share anything I did with a caption explaining the context (some pics had sense only associated to other fan content or discussions). I thought it was a thing between me and a dozen people here, not that it was reshared elsewhere so I used to share piece by piece then delete and reshare in a sketchdump. Sometime people did fanrt of my fanart I thought it was fun and flattetring! I had no clue it would take these proportions.

Being an adult and a published author I avoid engaging in internet fights, nor I have the time to persecute all the abuses of my work. This doesn't mean I don't see stuff and I don't get very upset. I took a tour on pinterest and I am frankly baffled and disheartened by the comments under nonsense pics asking explanations to the reposter (guys, really?) who didn't even care to put a caption or a link to my sites. I had people using my art or my designs for commissions, merch and even ...a couple of serious things I can't mention without starting a legal action against them. It was honestly crazy.

Some who actively exploit my designs (not even crediting) DMed me asking to drop my take on Scarlett and Browne and not even realizing how self entitled such request might be - I believe that's made with no malice, just not understanding the extent of the damage this is doing to me. I wish people realized than when assuming my designs are the default, no credits, that's the franchise slowly acquiring my work without paying a cent for it. I am beyond disgusted from what is happening and way too much in the industry and aware of copyright laws to make money out of it without the original IP owner's explicit consent (Stroud's). If i could go back, I wish I had never shared my fanarts online but now I can't even take it down because it was reshared all over the place and having it on my sites is the only prove I am the person behind the designs currently used (which were never bought\acquired by the franchise anyway).

My hope is that the show will bring up an original charismatic design so far from mine that everyone will follow them and I can restart actually having fun and engage with this fandom as I used to. So the conclusion is, I can't stop the flow because the damage was already done but if you aren't a total asshat CREDIT me as the source, or if you like my work and want to support me please require for credits to be added. You can also tip me on ko-fi https://ko-fi.com/doodlingraka

---- EDIT: also, to be clear, that’s not a witch hunt not me making up stuff, there are a few elements who aren’t in the books who clearly tell when I am the original source of a design. I am referring to artworks who undoubtly feature them, sometime with a whole pose included.

[harrysweasleys]

caught in the act // f.w

summary:  how do you feel about writing a request for professor!fred and professor!reader bantering like cRaZy at hogwarts a few years after graduation and things just ~happen~ between them both? like maybe they try to one up each other all the time or they just dislike one another OR they're secretly dating but try to hide it from the students but the students know anyway? i don't even care what it is, i just desperately need professor fred k love u BYE

warnings: flirty and steamy, mentions of food 

word count: 3.7k

a/n: OK so this idea was stemmed from a very long chat between me, @ickle-ronniekins and @wand3ringr0s3 and it has finally been brought to life! this was so much fun to write and i really hope you all enjoy :) [i do not give consent for my work to be reposted on any platform.]

———————————————————————

The familiar echo of the Hogwarts bell never failed to make you jump out of your skin. Especially when you were currently eyeing a class full of students in eerie silence, broken only by the occasional drop of a quill. Their practice exam required lack of noise to the point where you swore you could hear the movements of your ribs as you inhaled and exhaled. 

The ringing sound echoed throughout the class for a short moment, the students in front of you all placing their quills down and forming a line towards your desk, their parchment in hand and some of their faces rather sullen. It was only a practice exam, but the real deal was coming up in a few weeks and revisions were taking up a majority of their free time. You couldn’t tell if their expressions were from the work they just did or from the lack of sleep.

You remembered your exam days at Hogwarts. Long, dreary nights in the common room by the fire until the sun came up, your eyes burning out of your scalp from reading scribbles and notes all night long. Those really were the days, weren’t they?

“I don’t think I did so well, Professor,” one of your students, a fourth year Hufflepuff, said with a defeated tone to his voice, “I couldn’t remember the proper spell.”

You had found it rather odd that for a Charms class, the students had to do a written practice exam. It wasn’t your decision — but you surely questioned it. 

“It’s alright, Edwards,” you grinned back, “It’s not the final thing. This will only prepare you for the one you take in two weeks. Remember, that one is a performance exam. If you’ve got your wand movements down, you’ll be all set.”

The boy nodded, no trace of a smile on his face as he turned away and trudged out of the class, his overly heavy backpack hanging off of his shoulder. 

A frown formed on your lips as the next student walked towards your desk, a confident smile on her face as she handed you her exam paper, “Have a good day, Professor!”

You were about to wish her a good day in return, but a figure by the door caught your attention instead. 

Fred Weasley — or, rather, known to his students as Professor Weasley — stood with his hands in his pockets, his button up shirt tucked tightly into his slacks. His hair was short, standing up and looking soft as ever. 

He shot you a quick wink, causing you to shake your head with a small laugh before you returned to collecting exams. You couldn’t give away that you were, indeed, dating a fellow professor. You were sure, due to the countless times you’ve popped in and out of each other’s classes, that some of them were suspicious. But you could hardly think about that too much without getting paranoid.

Your students filed out of the classroom one by one, each of them excited to finally be on lunch break. You could hear a few of them mutter a quick ‘good afternoon, Professor Weasley’ as they passed by him in the doorway, none of them striking any sort of conversation, much to your pleasure.

“And what can I help you with?” you grinned, standing up from your chair and placing a clip around the stack of papers, sitting them down in the corner of your desk so you could remember to take them with you and look at them in your office later in the evening. You much preferred to do your grading and marking at night — you felt much more ‘in the zone,’ so to speak.

He walked over to you, hands still in his pockets, “What? Can’t pay my girl a visit during breaks?”

You scoffed, taking out a large stack of paper from your desk drawer and preparing for the class of sixth years you had after your break. Fred was inching closer to you with each passing second, taking strides with his long legs as if time was running out and he was trying to get to you as soon as possible without running. You stifled a laugh at his movements.

“Considering no one knows I’m your girl, I’d say no,” you replied, giving him a small smirk, “We don’t want to get caught like last time do we?”

You mentally cringed, thinking back to when fellow professor Neville Longbottom caught you and Fred at the Hogwarts staff Christmas party, your bodies nearly flushed to each other and his head dipping down to whisper in your ear. That might not be a giveaway, but considering the nature of Fred’s words and the way your eyes grew wide as you gave him a slap across the chest, it was a bit of a statement. Neville had asked you that night if anything was going on between you two, to which you replied ‘it’s late, I need to leave.’ 

“Well, it would be a shame for the Defence Against the Dark Arts teacher to be dating the Charms teacher,” he said, a fake grimace on his face, “You’re only the most brilliant person in this entire school. I would be so ashamed if people knew. The highest held Professor, me, dating you, the lowly Charms teacher — a tragedy, really.”

“Oh, excuse me,” you placed a hand over your chest, stepping closer to him and leaning against the edge of your desk, “A shame, you say? I’ll have you know people much prefer my class to yours, anyways. Actually, just this morning, a group of Hufflepuffs told me they liked me best.”

The corner of his lip curved up into a smirk, leaning closer and wrapping his arms around your waist, his hips leaning against yours. You felt his hands slide lower down your back, giving your bottom a quick squeeze. 

“Hands off, Freddie,” you poked him in the chest, “This relationship has now become a competition.”

He pursed his lips, “Well, can the academic competition start tomorrow after we perform the, to kindly put it, physical competition in my room tonight.”

You slid away from him, shaking your head, “You are unbelievable.” 

“Well, believe it, love,” even though you weren’t facing him, you could hear the smirk in his voice, “This is all yours.”

“Uh, Professor Y/L/N?”

You spun on the spot, colour draining completely from your face. You heard Fred let out an awkward cough, facing the doorway where someone now stood. One of the students from your previous class was standing awkwardly, books in her arms and a confused look on her face. 

“Oh, hello, Miss Myers,” you sighed, running a hand down your face, “Professor Weasley, do you mind giving us a moment?” Your cheeks felt like they were on fire, and the temperature in the room was now a million degrees warmer than it previously was.

Fred grumbled a quick ‘of course,’ and made his way out of the room, turning to give you a wide-eyed expression before closing the door behind him. You let out a deep sigh, falling back into your chair, tossing your hair over your shoulder and looking over at your student.

“Did I interrupt something?” she asked, clearly fighting a grin.

You waved your hand, “No! No,” you tried your best to act nonchalant, letting your student take a seat in front of you, “So, what can I help you with?”

She began expressing her worries for the upcoming exam, all the while you tried giving her the best tips and advice on how to study her charms carefully and safely. You couldn’t count the number of times students had tried their spells outside of the class and had something go horribly wrong. No one wanted to deal with that again.

Though, you kept wondering what she meant by ‘interrupting something.’

You knew that she didn’t mean it in an accusatory manner — you weren’t all cozied up to Fred when she walked in. She couldn’t have seen anything, could she? Even if she did, who would she tell? Headmistress McGonagall was well aware of your relationship with Fred. But she was the only one who knew. You didn’t want to even think about the rumours that would spread if word broke out about your — to put it scandalously — affair.

You honestly weren’t sure what was holding you back from just announcing it. If McGonagall approved, what’s the worst that could happen? 

“Thanks for the help, Professor,” Miss Myers’ voice cut your internal rambling short, causing you to shake your head.

“No problem, my door is always open,” you grinned, motioning your hand in the direction of the door. She gave you a bright grin and picked up her backpack, turning to give you a little wave before making her way out of the classroom, once again, the door shutting closed behind her.

A loud groan left your lips before you dropped your head, letting your forehead smack loudly against the hardwood surface.

———————————————————————

The next two weeks felt like a whirlwind. Not only was the end of term approaching as rapidly as ever, but because your fifth years were rushing towards you every hour of the day to prepare for their OWLs, you were feeling rather happy that you only had a few days left before you were out of here. A lot of them seemed to get the hang of their Charms abilities, but many of them still seemed to be a little off. You couldn’t blame them — fifth year was rough — but you really wanted them all to be successful and to pass. Many of your students wanted to go on and be Aurors. A passing Charms mark was kind of a necessity.

“So you’re alright with overlooking the exam?” the Headmistress asked, her pointy hat standing tall on her head as her emerald robes flowed loosely behind her, the two of you walking towards the Great Hall, “You won’t be alone, but I just wanted to double check.”

You grinned, “Of course, it would be my pleasure.”

The walk to the Hall wasn’t long, but you were feeling suddenly anxious. You had poured your heart and soul into the teaching that you had done this year — you only hoped it paid off enough. You didn’t want to disappoint or let your students down. This was the most important exam yet. 

The Charms exam was tomorrow at noon, so you weren’t sure why your wand was in a knot just yet, but the anxious bubbles in your stomach hadn’t calmed down over the last few days, to be totally honest.

You walked into the silent Hall, no students present yet, and came to a halt as you spotted the redheaded man standing all the way on the other side.

“Oh, so you’re my ever so lovely companion this afternoon?” he grinned, standing up off of his chair and placing the stack of papers down on the table in front of him, his sweater clinging rightfully to his body and causing you to scan your eyes up and down his figure. He had a pen sticking out from behind his ear and you could see the pleased expression cross his face, even from the other side of the room.

“I suspect you two will behave,” McGonagall said from next to you, her eyes twinkling with some sort of amusement as she gazed between the two of you, eyebrows raised.

“When do I not behave, Minerva?” Fred asked cockily, shoving his hands into his pockets — which suddenly seemed to be a signature move for him. You weren’t really sure where it came from, but you weren’t complaining. It gave him some sort of authoritarian vibe, which was one of the many reasons you felt as if today might be a tough day.

Leaving you and Fred alone, McGonagall left the hall with a quick shake of her head, her little heels clacking loudly. You rolled your eyes, walking over to stand next to him. Even as you walked up the few stairs to the platform, Fred’s height towered over you and caused you to crane your neck up to look him in the eyes.

“Well, well, well,” he grinned, his hands finding their way to your lower back, sliding down so that they rested in the bum pockets of your jeans.

“Fred!” you squeaked, giving him a light slap across the bicep before pulling away, “We’ve almost been caught twice. Third time is definitely not the charm, here.”

He let out a low chuckle, his chest vibrating and his eyes crinkling in the corners. You loved the sight of him in a good mood, your heart doing a little flip in your chest as he ran a hand through his hair. 

You couldn’t help yourself, leaning up onto your tip toes and pressing a light kiss to his lips, pulling away ever-so-quickly, reaching up and pulling the pen out from behind his ear in the process, putting it down on the little desk next to the chair he was previously seated in.

“Ha! Gotcha,” you grinned, using your index finger to tap his nose lightly. 

“Oh, okay,” he nodded, hands immediately finding their way around your waist, “That’s not fair, love.”

His lips quickly found their way down to yours, warm and inviting as always. No matter how many times you kissed him, you never got tired of it. You still got the same amount of tingles and butterflies as you did the first time he kissed you. And that’s not something you ever imagined would change. 

“Fred,” you mumbled against his lips, a low groan leaving his throat as you tried your best to wiggle out of his grasp. You could hear the voices of students down the corridor— they were bound to enter the Great Hall any second now. This was not the position you wanted them to see you two in. 

“Fine, fine,” he mumbled, pulling away and rolling his eyes. His lips were red and his cheeks were slightly flushed, but he looked as dashing as ever. It was hard for him not to look like this, actually. Something in Fred Weasley’s blood just made him irresistible. You often felt like cursing him out, honestly. 

Seconds later, the large door opened and the room was no longer silent. Fred shot you a quick wink, sending your heart into a fluttering frenzy, before you turned to face the oncoming group. 

“Good morning!” you announced with a somehow steady voice, “Everyone find your seat so we can begin!” 

It took a few minutes, but eventually the group each found their assigned desks and sat down, taking out their quills and parchment. 

“You have two hours,” Fred clapped his hands together, echoing loudly throughout the room, “And the two of us will be here if you have any questions. The lovely Professor Y/L/N has volunteered to keep me company, probably because she finds me irresistible—” you rolled your eyes, “—but we’ll both answer any questions you have.” 

You looked to the ground, hair falling into your face as you bit your tongue, holding back any snarky remarks towards your idiotic boyfriend. He really wasn’t helping the whole ‘lowkey’ aspect to your relationship.

“Does anyone have any questions before we start?” he asked, lifting his left arm to check the watch on his wrist. You finally peered back up, gazing over at the large clock that was sitting behind you. You immediately regretted not bringing a cup of tea or a snack, but the two hours were bound to fly by. This wasn’t your first time overlooking an exam period, and each time you’ve done this before, it’s never felt like it was dragging on.

“Good luck everyone!” you called out with a smile, clapping your hands together. They all began scribbling away as you finished your sentence, the scratching sound being the only noise you could hear as any previous chatter had now completely ceased. 

You walked slowly over to Fred, your hands crossed over your chest as you raised an eyebrow, “Really smooth, you know? Nearly gave us away, you did.”

He shrugged, giving you a lopsided grin, “Oh, come on. Pretty sure half this lot know we’re together anyways. They may be younger, but they’re not completely dim-witted.”

Scoffing and turning your back to the group to face him better, you tried your best to give Fred a serious glare, “None of them are dim-witted, Fred. I’m just saying it would be nice to avoid the drama that comes with public teacher relationships.”

You took a step back as he took one towards you, trying your best to maintain some sort of professional distance. The students might be busy with their work, but that didn’t mean they were blind to the two Professors standing watch at the front of the room. 

“I gotta admit, love,” he nodded his head, lowering his voice and leaning in, “the sneaking around has been rather fun.”

His voice sent shivers down your body, goosebumps rising on your skin. You forgot how to breathe for a second, quickly trying your best to regain your composure so the students didn’t see you looking like a fish out of water. 

You let out a low cough, clearing your throat and nodding, “It has, hasn’t it?”

The grin on his face was practically contagious, causing the corners of your own lips to turn up before lifting a hand to toss your hair out of your face. You gazed up at him, running your tongue over your bottom lip before pulling it between your teeth, shooting him a wink in the process.

You could see the way his eyes were drawn to your every move, looking at your lips as if in some sort of trance. It caused a little sense of pride to blossom in your chest, to be honest. Fred was often the one who had you locked in a permanent dreamy state. It wasn’t everyday that you had the upper hand.

“Not bloody fair,” he tossed his head back, “Y’know how badly that makes me want to kiss you.”

You smirked, giving him a quick shrug of your shoulders and turning away, swaying your hips as you walked over to the chair that was a few feet away, sitting down comfortably and giving him another wink. You could tell his gaze was on your hips as you walked away — the darker tone in his eyes now locked on you.

Oh, this was going to be fun.

———————————————————————

“You’re a real piece of work, y’know?” he groaned in your ear, leaning over you as you organized the pile of recently collected exams, making sure that Fred’s proximity wasn’t a distraction. You weren’t being overly successful at that last part, though. You could smell his cologne and the warmth of his skin as he stood mere inches away, knowing damn well that he was causing you to stutter in your work.

You had been teasing Fred the entire exam period, sending him winks and lingering looks, even being bold enough to run your hand through his hair at one point, making sure to rake your nails lightly down the nape of his neck, enough to cause his body to erupt in goosebumps. He gave you a stern look after that, letting you know that he was now completely and utterly under your charm. 

“Am I? Well, this is a competition, if you remember correctly. I think I won.” you spun around, leaning against the desk, a teasing look on your face. 

“Oh, you definitely won,” his hands slid around your waist, delicately but firmly. He had a way with body language that was unmatched, you had to admit. 

Taking a step closer to you and pulling your body closer to his, he dipped his head and began to pepper your jaw with light kisses.

“Fred,” you giggled, weakly attempting to push him away, “Not right now.”

He groaned against your neck, his lips continuing to press kisses along your skin. It was rendering your mind nearly completely blank, but you tried your best to stay focused, to make sure that you guys wouldn’t get caught and ruin the secrecy aspect to your hidden romance. Plus, you really didn’t want McGonagall to catch you in such a scandalous position. 

“Honestly, do you have no self control?” you asked, successfully pushing him away. You missed the warmth of his body pressed against yours, but you had a feeling you’d be getting a lot of that tonight so you weren’t too upset about it. He’d more than make up for it in a few hours.

“Not around you, love,” he grinned, running a hand through his hair. You wished you were the one doing it instead, but once again, you had a feeling you’d be doing that quite a bit tonight, so you figured you’d wait until you could do it with no worries of anyone cutting in. He loved the feeling of your hands running through his hair, delicately giving little tugs every now and then. 

You let out a laugh, shaking your head as you picked up the pile of finished exams, “You’re too much.” 

Fred followed closely after you as you made your way towards the exit of the Hall, his hands empty but he kept them to himself this time, “But you love me, don’t you?”

“Of course I do.”

———————————————————————

After having been empty this afternoon, the Great Hall was now bustling with life. The four house tables were filled with students and food, echoes of distant and nearby conversations reverberating around the crowded room. It wasn’t a sight one could get used to. Yes, you had spent seven years of your youth here, and a few years as a Professor now, but the atmosphere of this room would never quite sink in.

Professor Neville Longbottom, who was currently seated next to you, was rambling on about a mishap that happened in his class that day — something about a first year Gryffindor knocking over eight potted plants — and you nodded along and laughed as he made jokes. 

“Can you believe it?” he asked, eyes wide as he munched on a potato, “He thought Mandrakes and Mimbulus Mimbletonia were the same thing!”

You let out an amused snort, “Kind of hard to think that,” you took a sip of your goblet of wine, “But I guess some people don’t have the magical knack for plants that you do.” You nudged him in the side with a smile.

He grinned at the compliment, the tips of his ears turning a deep shade of red. Neville was two years below you while in school, but his knowledge of plants and nature was way beyond you.

The conversation fell to a lull and Neville became invested in chatting with the person to his other side. You didn’t pay much attention to who it was, as your eyes were now trained to the other end of the table, where the usual seat of Defence Against the Dark Arts Professor was occupied by your boyfriend. 

His eyes were already looking in your direction, causing a heat to surge through your body. A lazy smile was on his lips, and he clearly wasn’t paying attention to the elderly Professor Slughorn seated to his right. 

“I love you,” you could read his lips, his eyes bright as they stayed locked on yours. His smile was genuine and loving, quite opposite to the teasing one he usually gave you, and it left your stomach feeling rather fluttery.

You bit your lower lip, fighting a grin, before moving your lips in return, “I love you more.”

———————————————————————

taglist 

@grierpilots @hxfflxpxffs @mikumana @msmimimerton @pit-and-the-pen @diary-of-an-onliner @theweirdsideofstuff @thoseofgreatambition @theweasleysredhair @haphazardhufflepuff @starlightweasley @mytreec @thisismysketchbook @valwritesx​ @vogueweasley​ @hufflrpuffforfred​ @phuvioqhile​ @marvelettesassemble​ @almostweepingbanana​ @ickle-ronniekins​ @iprobablyshipit91​ @wand3ringr0s3​ @susceptible-but-siriusexual​

[cantalooprat]

[repost from fairytaile bc its long]

i dont nearly talk abt tbbf enough which is like. completely unfair to it. considering it lives rent free in my head, like how liu-laoshi lives rent free in chi xiaochi's head

its one of those rando wn i came across w the normal pleasant review of "it's soo good, pls read it". n its like. sure. not like i have anything better to do, the art looks good, summary looks fun enough. never touched a danmei QT before but that's alright, i'm a garbage can that eats anything (well mostly anything). but! but there is one problem! and that it's unfinished! so i sadly put it at the back of my read list, and went on to browse other wn that have complete translations.

(also the author wrote as part of the summary: "Sue-ish, fluffy, no logic, not the same as those reforming villain stories, be warned" so i was like... is this rly good... but in hindsight its like, well, it's some kind of author awareness to say things like this, right? n it's like... author, if u say things like this, what of the truly trashy wn out there? author? author...?)

n then i was like... on the support authors discord, randomly browsing the discussion thread, when i saw tbbf recced again. just briefly, nothing big, nothing too deep. n idk what possessed me to just be like. u knw what, i knw full well this wn is not fully tl-ed but let's read it anyway.

initially it seemed like ur run of the mill face-slapping op protag wn which is... fine, those r a dime a dozen but they're not bad. it's wn anw, as long as it doesn't get to the cringe levels of stop bothering me, emperor it's whatever.

but then? cxc is actually a nice guy? he's a QT host, but he rly cares for the ppl whose bodies he's inhabiting. he's cold, calculative, ruthless towards his enemies, but he also really really cares abt the victims of these scum gongs, n i was like, wow, what a guy. have u ever wondered what happens to the original soul when the transmigrator transmigrates into them? chi xiaochi does. if there's even the slightest chance that the original soul is still there... he'd bet on that chance, and strive to make them live better lives. he'll act like them, treat their bodies with dignity and respect, and that's just rly cool of him to do that. in all transmigration stories i've read, no one's ever cared abt the original soul /sad

but like, this is a danmei, n why would i read if not for the romance? the romance doesn't have to be dazzling, but it needs to be convincing, y'kno. and boy does it convince. cxc drops hints here and there, of this person in his world, for whom he has to return no matter what. but here's the catch---he's dead, and cxc has to return because he believes that he needs to keep living on for him, to keep remembering him and sweep his grave when no one else would.

i think this was the scene that rly sold me:

···

"i won't go to a world without him" just kill me dead why don't u?

anw later on i spoiled myself that 061 is lou ying which is... well... expected, and i was like, kinda regretting spoiling myself and tried to self-convince that well the journey is what counts, not the destination, but anw in the long run this spoiler doesn't even rly matter bc the Whole Point is the fkin bittersweet flashbacks to their childhood and How It Parallels Current Events and also the sheer もどかしさ of Knowing that 061 is cxc's lou-ge, but cxc Can't Be Sure About That and 061 is Unable To Tell Him Because Plot. they're like parallel lines that are so close to each other but still unable to touch n their relationship makes me have so many feelings, fuck

in a subset of fiction rife with cold, calculating mcs and devoted mls who seem to love the mc more than the mc loves the ml, it's actually such a breath of fresh air to have an mc who's just wholeheartedly devoted to his (dead) beloved. so many danmei have death-chasing shou mcs who have never known love before, whose behaviors scream "it doesn't rly matter what happens to me as long as i achieve my goals" which is like... i'm not saying don't have goals, but lowkey i feel bad for the mls sometimes (lmao). but cxc's goal is his lou-ge, which is... pretty new for me, or mb i haven't read enough danmei lmao. cxc is someone who's fallen in love before he even knew what love was. he's someone who realized that it was love too little too late, and by the time he's even aware, the only way he could express his love is to keep living so that there will be at least someone who remembers his beloved in this world. he climbs out of poverty, he behaves with a devil may care attitude, he's attained what regular people would call "success" at such a young age, but he can't even have one simple, mundane wish granted. and he's so devoted to ly too---to him, there is only one of his lou-ge, and that's the lou ying in his original world. even if he were to come across a different lou ying in a different world, that person isn't his lou ying. he would only want to catch a glimpse of him and see that he's doing well, and he'd move on so that he can go back to his world, the world where his lou-ge once lived in. chi xiaochi won't stay for any other lou ying from any other world. he would go back to his world and continue to live his life the way he's always done, even if it means he'll be alone.

(and like, we all know 061 is ly, and then one can't help but wonder, man, cxc is so smart, surely he's seen the similarities? and like, he has, he has, but 1. he can't bear harboring even the smallest fragment of hope that his lou-ge is still out there, because what if he isn't? after all, hope could be the cruelest thing of all... cxc doesn't dare believe, in the chance that it turns out he's wrong. the only way for him to believe is for 061 to tell him that he's cxc's lou-ge. and then 2. cxc thinks so lowly of himself. he doesn't like the person he thinks he's become. he thinks he's done all the bad things like "smoking, drinking, acting like a rogue, behaving shamelessly", so far from lou ying's chi xiaochi from back then, and he doesn't want his lou-ge to see what kind of person he's become. but then there are the few moments in which he lowers his guard and just indulges, lets himself dream a little that his lou-ge is with him, and it's just! so bittersweet! that feeling of "i can't bear to hope that he's lou-ge" but also "let me pretend, just for a bit, that lou-ge is still here"! pls!!! and anw 061 loves him the way he is!!!! even before he remembers his identity, 061 was alrd like unknowingly sipping vinegar...)

and 061!!! truly a gem among mls!!!!! gentle, sweet, protective but not overbearing, and just all-around a decent person. just how many ml have thoughts of "if only i could keep my beloved from facing danger" without even thinking of what their beloved wants? 061 doesn't do that. ly trusts! believes fully! in cxc! even when he doesn't know that cxc is the person he's working so hard for, he still trusts in his plans and just does the best he can to make cxc's journey smoother! and after he does find out, he still doesn't do any of that "i'll protect you so you won't be hurt" bullshit, more like he...enables cxc's bullshit. on a tangent, imagine if in mdzs, lwj is as confident in wwx as much as ly in cxc. wwx prob wouldn't have to die like that. 061 works so hard behind the scenes, and cxc doesn't even know. 061 thinks cxc doesn't have to know, so he doesn't have to worry, so he can focus on his own tasks. 061 won't hold cxc back for whatever reason---he believes fully in cxc, and that's why he just makes his own decisions and tries his best to help cxc in his own way.

speaking of working hard, this dude is like, slaving away to come back to the person who's waiting for him, even after he got memory loss and can't remember anything else but the vague silhouette of someone in the deep recesses of his lost memories. like, they just rly love each other, even though one of them doesn't know, and the other one can't say anything. god even the reason why 061 lost his memories is cxc. that point in the story when cxc mentioned that someone claiming himself to be ly promised to meet with him but never showed up and it totally broke him, and how after ly remembers his identity, he vows to never break his promise a third time... sigh. wow. why do i have so many feelings for tbbf lmao

another point i rly like abt ly is how he doesn't even have the ml role in the worlds. in the first and second, they're not quite close enough for ly to rly dip his fingers in. in the third, he's an uncle. in the fourth, he's a fukin mecha. in the fifth, he's... a pair of siblings, and anw the "mc" alrd has a love line. in the sixth, he's a "big cat". in the seventh, he's... the shizun, and also another cat, and anw the "mc" alrd has a love line. like, it's just nice, y'know? that ly doesn't have to be the "romantic interest" to show his bond w cxc in each of the worlds. he knows to separate his personal and professional lives lmao. he's just... there for cxc, no matter what, and i think that's the most romantic thing abt them. the trust and devotion, the synchronicity they have, the 一途な想い. and the pining! and how affectionately exasperated ly is!! rly truly "knightly loyal gong" and "satisfied after being mischievous for a moment shou".

anw tbbf also comes with two memorable quotes, the first of which is chi xiaochi's: "To me, only the Lou-ge from the world I came from is real. I won’t go to a world without him." which is also reflected by the author's self-proclaimed one-line summary of tbbf: "I’ll never go to any world where he doesn’t exist". which is like. well. in essence. that's how it is, isn't it? it's totally not a coincidence that it's also one of the quotes that caught me by the heart and wouldn't let go. the author intended it to be that way, and it works so well.

the second one is this super unreasonable whatever this is:

"I've loved someone before. I loved going up and down the stairs with him, I loved it when he taught me how to play video games, where for every six wins he would never forget to let me win four, I loved when he cooked for me and Dog Meat, I loved when he taught me subjects, I loved when he would cover my ears whenever my parents foughtーーI was never asleep, I was always listening. ……love is when after he died I wanted nothing more than to go with him, but was afraid that other than me, no one else would remember him, so I could only use what bound him to the world to bind myself to it. I lived on for him, and even had to live well."

like who even expected a quote like that to come out of a wn titled "don't pick up boyfriends from the trash bin" not me for sure

the first time i read it i was just like, wtf this is def a memorable quote... i don't even have words for it, who even says things like this, im dying

speaking of bittersweet memories, one of my favorite parallels the author pulled is def the "video game coop mode" flashback that basically mirrors how cxc and 061 are in the current events even when cxc doesn't know 061's real identity and 061 can't reveal his real identity to cxc:

···

because... cxc misses that coop mode more than anything... even after he's "gotten used to" the "solo play" of "the game of life", he just wants his lou-ge by his side again. i love that it's such a meta thing, that the entire wn! he's literally playing coop mode with his lou-ge! but he doesn't know that and ly can't tell him! it's so! vexing! this is basically how i feel the entire time i'm reading!!!

i have no words to end this insane rant with, have some songs i headcanon as cxc>>ly songs:

ref:rain by aimer

niji no kanata ni by reona

ame ni utaeba by reona

[redsector-a]

AO3 Ask Game

I was tagged by @themarshalstale which, thank you so much! I feel like I always get missed on these (I know why, it’s been 84 years since I published anything but still). 1. How many works do you have on ao3?

46 it seems. Which...look I’m slow man so that’s not surprising. lol Also crippling depression does not make for much production, at least for me.

2. What’s your current AO3 wordcount?

309662 according to the stats.

3. How many fandoms have you written for and what are they?

So do I could only AO3 or in like life? lol I suppose it should only be on AO3 since this is an AO3 ask game. Hrm. Basically AO3 can be summed up as: Marvel (in several iterations - all Avengers related) Torchwood Highlander But isn’t it more fun to consider my entire fandom life, which, I’m sorry, I’m old so...yeah. Not all of this is was published and beyond that a lot is not available anymore...which is likely for the best. Highlander Star Wars Babylon 5 Ronin Warriors/Samurai Troopers Marvel (again, several iterations also of note Avengers and X-Men both count) Torchwood Star Trek LOTR Stargate (SG-1, SGA) Mortal Kombat I dabbled with the idea of Potter fic but never got past the ideas stage.

4. What are your top 5 fics by kudos?

1: You rearrange me till I’m sane Clint finds himself spiraling into a deep depression after the Battle of New York...until the Winter Soldier ends up saving him and inadvertently giving him a new purpose – to save the man that the Soldier had once been – Bucky Barnes. Not one to be outdone, the Soldier decides that his new mission is to ensure that Clint remains alive himself. Protecting a blonde man with a self-destructive streak is somehow very familiar to him. Through the back and forth of who is saving whom they cross the country and learn more about themselves and each other – and perhaps find a reason for living. 2: Five Dates Bucky Didn’t Realize He Was on And the One He Planned Himself To say that Bucky was surprised when Clint kissed him was an understatement. But it was nothing compared to the shock he felt when he learned they'd been dating for months without him realizing it.Clint gets whisked away for a mission before they have time to talk and Bucky is left to figure things out on his own - hindsight being 20/20 he can't help but wonder how he missed things the first go around.

3: Puck Luck Bucky Barnes is used to the ups and downs of an NHL season. He's used to the unpredictability of the game, knows that bounces don't always go your way, but that doesn't make a broken hand in the final third of the season any easier to deal with. Especially not when he ends up with an impromptu roommate/personal assistant in the form of one Clint Barton - his agent, Natalia Romanova's (rather attractive) friend he hadn't known existed before his injury.

It's just for six to eight weeks - what could possibly happen in that span of time?

4: Loose Lips Launch Ships

Based on the following prompt: “We go to school together and I think you’re cute and apparently you’re also the pizza delivery guy and my little sibling opened the door screaming hey sibling! you know that kid you’re in love with? you really weren’t kidding when you said his jawline could cut steel holy shit-” Bucky is the pizza delivery guy. Clint's younger (foster) brother has a big mouth.

5: Indelible Bucky Barnes has a pretty decent life – a good job, good friends, a cat that adores him - but something is missing. He’s always found body art to be beautiful and inspiring, and on a whim (and with the hope that maybe he can find what he’s missing) he decides to take the plunge and get a tattoo. That's how he meets Clint Barton. Clint's talented and compassionate and there is an instant spark between the two of them. It's not long before Bucky finds himself wondering and wanting more from the relationship despite the ghosts of the past that crop back up. Because Clint makes him feel normal in a way he truly hasn't for years...

(this was pre-Alpine so I was totally chuffed when canon confirmed Bucky’s status as a crazy cat lady (affectionate).

5. Do you respond to comments? Why or why not.

I really really really want to do it but I often times don’t end up doing it. There are a few reasons. First, I am akwward AF and bad at interaction adn I feel like just saying thank you would be...not enough? Second - I often times tend to like...turtle (aka retreat into myself) when life gets Too Hard/Busy which happens a lot to me (sigh) and then I miss the vague window in my mind in which it would be okay to respond and then it’s even more weird. I do love and cherish all of them. Like there was one months ago that made me go “hmm...I didn’t think I was going to do a sequel to that fic (You rearrange me till I’m sane), timestamp glimpses sure but a sequel hadn’t come to mind” but then the comment made me think! So...who knows? lol Anyway, I literally have been rereading some in an effort to try and get myself going again. Know that if you have commented, I love you.

6. What’s the fic you’ve written with the angstiest ending?

At the moment? Probably: Look at you look at me Bucky's in love with Clint - problem is he's really not supposed to be. For Winterhawk Week 2019 - Forbidden Love (I really don’t want to give away the spin in the fic but...if you’re familiar with the Secret Avengers Vol 2 run circa 2013ish (aka when SHIELD initially ‘took control of the team’) that’s a bit of a hint as to the spin). Were it done, Torch Song would be up there. ;) Torch Song Clint is sent back in time, via an alien device, to 1938. While he tries to figure out how to get back home, he takes up singing and entertaining to make ends meet and does his best to not disrupt the timeline.Then he meets a 21 year old Bucky Barnes. --- A torch song is a sentimental love song, typically one in which the singer laments an unrequited or lost love, either where one party is oblivious to the existence of the other, where one party has moved on, or where a romantic affair has affected the relationship.

7. Do you write crossovers? What’s the craziest one you’ve ever written?

Does *wanting* to write crossovers count? lol I want, so badly, to do more crossovers and fusions (which...are kinda deeper versions of crossovers in a way). The only one I do have posted is a crossover between Highlander and Torchwood -

The Immortal Mr. Jones A series of vignettes (some long, some short) in the life of the newly immortal Ianto Jones. My most ambitions project that I have been working on since late 2011/early 2012 is a fusion of the Avengers with Stephen King’s the Stand. I will get that done at some point *shakes fist*  The Stand, for those who don’t know it, is an epic 1000+ page novel about a flu epidemic (I know) that wipes out over 99% of the population and then two figures representing Good and Evil pull the survivors in two directions for a showdown. So basically it’s a non-powered modern AU set in that universe. It’s a passion and comfort project. lol

8. Have you ever received hate on a fic?

Yes. Well, minor bitching back when I was in a prior fandom because I tagged a pairing in a fic but it was pre-slash and not labeled as pre-slash. I got hate on...I think it was Torch Song? And I’ve gotten hate on tumblr re me and my fic in general as well. Fandom! *jazz hands* Oh! And I’ve also been hit by those reviewers within Winterhawk (among general Clint pairings actually) who like rate you on either number scales or the “meh” scale. Which isn’t hate exactly but...it’s passive aggressive bullshit because I can’t believe none of them realize at this point that the authors can see their bookmarks - you know?

9. Do you write smut?

Yes. Do I write it well? I have no idea. lol

10. Have you ever had a fic stolen?

Not that I am aware of. Well...there was, I think, one of those reposting sites that had a few fics on it but I don’t think it was being passed off as someone else’s? I can’t quite recall. It’s why I have a note on AO3 about reposting my work anyway.

11. Have you ever co-written a fic before?

Not entirely, but sort of. Let me explain - I am part of a PBEM game; which for those unfamiliar since it’s a term that was most heavily in use 15-20 years ago, in which you basically do a round robin type writing thing but rather than everyone writing the same characters you write your own characters and you play off what other people have done. Another way of looking at it is  it’s basically DnD without dice and written down rather than done out loud. You also don’t have to all be around at the same time. It’s a lot of fun and yes I have been in it for 20 years even though there aren’t many of us left but they are some of my dearest friends and fabulous writers. Wins all around.  One of the other writers and I have actually toyed with the idea of doing a co-written fic actually, mostly because we work super well together and keep getting ideas for things but can’t really do them as rpgs since the pbem style isn’t used much anymore.

12. What’s your all time favorite ship?

Winterhawk probably. Though, let’s be real - Han & Leia are epic and amazing as are John & Delenn (from Babylon 5).

13. What was the first fandom you wrote for?

Does wanting to expand The Black Stallion books as a wee child count? lol Not much of that was written save for world building ideas but there was a great oral tradition of telling stories to my friends. Otherwise...maybe a tie between Star Wars and Highlander. Star Wars was a love since I was super young but the writing bug didn’t hit me until around the same time Highlander was a thing as well.

14. What’s your favorite fic you’ve written? You rearrange me till I’m sane for sure. Though Torch Song, if it were finished, would be tied I imagine (I suck at picking favorites). Honorable mention to Puck Luck and Indelible. Tagging: I have seen this like a million times (okay 5) so I feel like everyone has been tagged already that I know. But...I guess... @vexbatch @crazycatt71 @heartonfirewrites and @disruptedvice sorry if anyone has been tagged before.

[viroro-kun]

My Review of the Pokémon Sun & Moon Anime (2019)

[The following post is a repost of a thread originally published on Reddit in November 17th, 2019, titled “My final review of the Pokémon Sun & Moon Anime”, which I’m sharing here again for archival purposes. I may eventually do a new one and this post is meant to only reflect my thoughts at the time. It will also not be updated with later information to keep it consistent with the original] About two weeks ago, the Sun & Moon series of the Pokémon Anime concluded after a run of three years, ending up as what's probably one of the most controversial entries of the show, with fans either loving it as a fresh take on the series or disliking it for several issues that cropped up over time. Now, after reviewing the series for the length of the aforementioned three years and at the eve of the beginning of the newer series, I'd like to pass my personal, final judgement of the Alolan series. Now, first of all, I think a preamble is necessary: all of what I will explain is my opinion and nothing else, and this isn't meant to be senseless bashing of the Sun & Moon series, either. I treasure striving to be objective and analytical above all else, and while I of course can't claim mine will be an absolutely perfect and objectively correct review, I will do my best to share my thoughts on the matter, while explaining why I feel this specific way.Secondly, I'd like to address an argument I've occasionally seen brought up, that due to Sun & Moon's seeming focus on comedy and slice of life it's not possible to compare it to previous seasons. And while that may apply for some specific choices it made, I don't believe that's the case: it was still set in a new region of the Pokémon world, still had Ash undertake the local region-wide challenge, still had a structure involving unimportant self-contained episodes (which we could call 'filler' in an useful but technically inaccurate definition) surrounding the plot-based ones, and still ended up with a League at a climax for it all. Therefore, at least on a structural and plot standpoint, there are enough commonalities to make a comparison possible, and that's where I plan to dig in particular to explain my stance.

Before I move to the meat of it, however, I want to spend some words of praise for some things I feel this series did right or at least deserves some compliments for, overall. First of all, I think that Sun & Moon does great in mantaining a chill, comfy atmosphere which to a degree makes it stand out from previous seasons, and I understand why this was appealing for some previous fans of the series. Most of the cast is pretty likable on the whole with particular props to Ash's Alolan Pokémon team managing to mantain lots of expressivity in all situations, and the series has a decent willingness to explore some concepts previous seasons only lightly touched on. The show also foregoes a lot typical Team Rocket shenanigans for different kinds of plots, making it great for people who find their usage stale and played out by now, and the simplified art style allowed for some pretty good sequences both in battle and out. At its best, the series can produce some of the best moments of this Anime as a whole, and it was at least the first series to let go of some limitations that were just weighting the show down at this point. While I think several of these pros also have indirect cons attached to them (especially in terms of tone and character usage), these are all things I feel need to be pointed out in positive for the series.With that said, I'd like to begin my proper dissection of the Pokémon Sun & Moon Anime.

Pokémon Sun & Moon - A Pokémon Anime in an Identity Crisis

1. Plot Pacing and Development: The Problem of the Stationary Setting and the "Happy Bubble"

Everyone who has heard of the Sun & Moon Anime is probably aware of its biggest break from tradition: rather than being an adventure series, this entry in the long-running Pokémon series decided to take place in a single location with occasional detours by having Ash enroll in the Pokémon School, shifting the general tone of the series towards a more slice of life approach. This had a significant effect on how the story developed, but in my opinion, if there's a fundamental issue of the Sun & Moon series, it's probably this one. Because rather than committing to the change, the writers appeared to want to have their cake and eat it too.

Specifically, adventure series and slice of life have radically opposed mission statements: for the first, progression and rising action are an important, consistent story engine moving the plot forward; the second is instead far more laidback, focused more on enjoying the moment and offering low stakes and drama more often than not, especially Sun & Moon's chosen brand of it that's closer to a sit-com than a proper slice of life. Pretty much, adventure series have a degree of development in them, while slice of life is defined by the lack of said development.

Now, I'm not saying Pokémon characters were always amazing examples of character development, or that every series prior was well-written. But the structure itself was sound, as you had Ash embarked in a defined goal of winning the League as part of his vague dream to become a Pokémon Master, having filler adventures on the way, but always undertaking rising action from the first to last Gym and occasional rivals, until the climax of the journey at the League (and in Kalos' case, the Team Flare arc). We see Ash, and occasionally his friends, actively train, fight or improve on the path to their goals, while the narration itself always reminds us of what the current major objective is. Even when the episode doesn't actually contribute to the larger story, the viewer always has a reassurance that the next objective will be reached eventually.

The structure of Sun & Moon, by comparison, is inherently more passive more often than not, as you have Ash and the others waiting for the plot to happen to them. Instead of having Ash actively seek a new challenge, you see him sitting down and wait for something specific to make him go and progress, and so does everyone else, with only rare exceptions. The characters are effectively static until the plot decides to move them, and while this could superficially resemble the previous structure (as both have a progression that could be defined as arbitrary), the Sun & Moon series barely, if ever, reassured the viewer to still remember the goals it set up, or even what the next one to come is.

Now, inherently, the characters being passive recipients of plot isn't a bad thing, it's just how slice of life stories tend to work. The problem of Sun & Moon, however, was that beyond the vague and SoL-friendly concept of Ash at the Pokémon School they still had Ash pursue the Island Trials (and in fact, he's impressed by the concept of mastering Z-Moves before he even enrolls in the school), which gave the show a problem: it wanted to be a chill story focusing more on small time hijinks than big adventures, while still taking on a structure that demanded to follow the rules of an adventure series, creating an inherent contradiction.

What I mean is that, since the Island Trials were still part of Ash's stay in Alola, the show was still supposed to abide to the rising action leading to a climax, giving the show a direction that it had to fulfill by its end rather than have an open premise with occasional plotlines (example: GeGeGe no Kitaro, where the open premise is 'Kitaro deals with evil Yokai' with every other longer plotline spinning from there). It's something that pretty much prevents the viewer from fully enjoying the more quiet romps, because in the mind of a viewer expecting progression, these are just a diversion over the more important goal Ash has in the region. Now, in fairness to Sun & Moon, the show seemed aware of the tension and made sure to tie each Trial Ash did into either school trips or wanting to get specific Crystals, but beyond making it seem like Ash didn't care much for something he claimed he wasn't interested in (especially with wanderlust being a previously estabilished character trait of his), this ran into another big issue of Sun & Moon: rather than a sense of rising action, pretty much every Island Trial Ash did was narratively unrelated to each other, especially once it was revealed that Ash didn't need to complete any of them to access the Alola League, in contrast with how every badge was important and necessary in previous regions.

This specific issue wasn't however unique to Ash, but rather a persistent problem in pretty much every element and story arc of the series: be it Ash's quest, Guzma's struggles, Rowlet's rivalry with Hau's Dartrix/Decidueye, Lycanroc's rage issues, Lillie's goal to be able to touch every Pokémon again, the Necrozma and Aether arcs to even the Alola League and anything in between, almost all of them had only the bare minimum of buildup and either ended as soon as they got teased or happened to be sidelined for a large amount of episodes before they got their due focus, if not both at once. While some of these arcs ranged from alright to pretty great (Litten's pre-capture arc dealing with Stoutland's passing, or the Guzma-related segments of the Alola League), there are quire a few (chiefly Necrozma) that were ruined by a combination of lacking setup work and the feeling that, simply put, nothing mattered that much. Sure, the arcs could be mentioned here and there, and some can set up things for the future (like how Aether leads to the Ultra Guardians), but on the whole, the arcs are effectively done-in-one in terms of lasting impact. Unlike how in previous shows you could've had stuff like Ash's and Dawn's intertwined journeys, here you have Stoutland lose relevance in terms of influence to Litten as soon as he dies, where save for Stoutland brief cameo as a spirit on Poni Island his storyline got shifted in the unrelated rivalry with Kukui's Incineroar.

This last example, in particular, brings up another of the big issues of Sun & Moon, one that can be divided in three parts: plot pacing, plot segregation, and the "happy bubble".

In regards to plot pacing, one of the most notorious problems brought up for this series is the fact that, to put it simply, each plotpoint will only progress when the show decided they have to, which led to things like Lillie going almost an entire real time year between getting her Z-Crystal and then her Z-Ring, or Ash doing absolutely nothing about his Lycanroc's raging issues for getting dirty for close to thirty episodes before they happened again in the Ula'Ula arc, during which neither character gave any hints of even thinking about these lingering elements in any way even if it was clear setup to be followed on. This, coupled with the aforementioned lack of a constant reminder of the next destination, just made for a frustrating waiting game in terms of the next major point of progression.

A related issue is the plot segregation, or specifically, how each major arc is effectively removed from the others, from Kiawe and Sophocles' occasional focus episodes to more important stuff like Lillie's Pokémon phobia, her and Gladion's later interest in finding their father, Lana's desire to create a balloon to explore the ocean with, Ash's Island Trials, and so on. It made these characters feel like they exist in their own separate paths, never to intersect, something the evolution episode in the Poni Island arc somewhat exemplifies since Sophocles' and Lana's efforts happen on completely distinct plotlines and locations. As I explained above this also happens with major arcs, like how the Necrozma arc's only contribution to the wider narrative was sending Poipole home (and given its later offscreen evolution and power up, one could make a case the arc had a negative impact on the series). The segregation also had the effect of having the plot act like something flat out doesn’t exist unless it has been directly showcased, leading to such goofiness as Kukui's best friend Molayne not being invited at his wedding in spite of being Sophocles' cousin, or how absolutely no one was in Poni Island during the Manalo Festival buildup. A good example of the difference, I feel, is this: in previous series, we could've had Serena relate to Ash with her Master Class loss at a significant point of his character arc during the Winding Woods episode; in this one, Mallow only revealed her mother issues after Lillie's entire arc revolving around her mother was resolved, with the two never comparing notes. The closest we get is Ash relating to Lana for his problems with Lycanroc using Continental Crush in Ida's first episode and Lillie trying to help out Ash during his fallout with Rotom, both of which refer to things that happened to them either mostly offscreen or entirely there.

The plot segregation was, in particular, noticeable with the decision to associate three of Ash's Alolan Pokémon (Torracat, Dusk Lycanroc and Rowlet) to specific characters as rivals, with the Pokémon driving the rivalry rather than Ash himself (who had otherwise rather civil, mostly friendly interactions with Kukui, Gladion and Hau). On paper, this should've guaranteed that every Pokémon had their moment to shine, but effectively, it meant that each of them were restricted to mostly their specific rival in terms of focus post-Aether. Lycanroc got Olivia's Grand Trial, the Ula'Ula arc to itself and then the rivalry with Gladion's Midnight Lycanroc, but no other significant usages; Rowlet got roles in the first two Grand Trials, but then spent almost one hundred episodes before its second focus episode, and beyond his friendship with Meltan it only got Hau's battle and a part against Kukui to itself; Torracat was the one absolutely done dirty here, as beyond the Stoutland appearence in Poni Island and the Totem Lurantis battle pre-Aether, all his following focus moments rely on the rivalry with Kukui's Incineroar, with only occasional minor scuffles to its name and a bit of the Guzma battle to its name. That would already be bad enough, but the fact that until the League there's no battle that requires Ash to involve more than two Pokémon (with most of them requiring him only one), Ash's team never actually gets to act as a team until the very final battle of the series, furthering the lacking sense of cohesiveness. Year two of the series was particularly bad in this sense, as most major battles were fought with either Pikachu or Lycanroc while Torracat and Rowlet barely did much.

And lastly, one persistent result of both the plot pacing and the plot segregation was a phenomenon I like to refer to as the "happy bubble," or the tendency of the Sun & Moon series to confine major conflicts and bad moments for the characters only to their specific focus episodes. In previous shows, you could have moments of self-doubt or worry linger even outside dedicated episodes (Dawn's depression for her losing streak, Ash's rivalry with Paul affecting him, and his increasing worries in the latter part of XY being clear examples), but due to Sun & Moon's commitment to fun times before everything else, it means the characters aren't allowed to have any conflict or moments of darkness to later conquer unless they're the focus, and even then resolving them quickly. See how bubbly Lillie is even when she's scared of Pokémon unless the episode is specifically about her, how she never even thought about her father until Gladion reminded her, how Ash's confidence and his relationship with Lycanroc are only focused on in Ula'Ula and then never again, and most noticeably the fact Mallow's dead mother was treated as something that tore her for years but it was only ever directly dealt with in one episode, to the point she's the only family member on Bulbapedia listed under characters of the day. The problem of this bubble is that it pretty much makes it hard to invest in the emotional struggles of these characters because they end up feeling like throwaway moments which are then functionally forgotten, with no sense of constant growth. Characters get their moments, the audience gets invested, and then it's forgotten, with only few and far-in-between moments of exception, and that's another thing making each conflict feel segregated from each other.

If I could sum up everything in one sentence, I'd say this: Sun & Moon is composed by a myriad of pieces, some excellent, some average, some awful and everything in between, that all exist mostly in a vacuum. I'll return to this topic in a bit, as there's another important aspect to touch first.

2. Characters and Their Development: Too Many, Too Little, Too Late

Another aspect of Sun & Moon that's often brought up is the decision to have a main cast of six counting Ash, with the game Trial Captains Mallow, Lana, Kiawe and Sophocles alongside plot-important character Lillie turned into Ash's classmates. These characters have been as much a point of praise as they were of criticism, with some fans absolutely loving this group while others couldn't absolutely stand them. I feel the best way to tackle this is to first list how I feel each character was handled in terms of planning and development, before going into their relationships and the rest of the cast, starting with the humans and then going through Ash's Pokémon before closing on Ash himself. I will say to start with, however, that none of these characters is inherently unlikable the way they started as, and most of their later issues came solely from their handling down the line or flaws in how they were approached.

2.1) The companions

Among the companions, Sophocles was probably the one that made the poorer first impressions, as beyond sharing the same type specialty, his game background as an inventor and his Anime presentation as a programmer that sometimes built things gave him a number of unfair comparisons with Clemont, not helped at all by an introduction episode that ranks among the worst ones of this group. That said, I feel by the end he actually ended up being one of the best characters of the group in spite of heavily scattered focus, for one major reason: he's one of the few characters of this group to have a consistent character growth that plays in his dream and that's easily noticeable as the story unfolds. Early on, he starts as the timid, insecure kid that gets easily scared of the dark and needs people and Pokémon's support over everything, but between his first few episodes and the later clarification of his interest in space, it's clear that his development was actually aimed towards him growing into a more independent and confident person and trainer. He goes from being unable to tell his friends that he's not actually leaving Alola after a misunderstanding and only getting his second Pokémon as a gift from Ash to slowly take an interest in rising Charjabug, first with a race and then by evolving it, then deciding to gain a Z-Crystal and a Z-Ring, learning to use it, and ultimately take part in the League in spite of knowing to not be on the same level of his friends, yet still putting his all, with a nice interlude where he takes things into his own hands during the Celesteela mission, and with the race he does to gain his Z-Crystal leading him to confront and surpass his fear of the dark. While still pretty scattered and sidelined, I feel he's a character that's been developed well-enough and that in his post-series aim is actively working towards his dream in a new but productive way by visiting Mossdeep City's Space Center, and definitely my favorite of the Alolan kids as he clearly developed into a better person by the end through a straightforward, traceable progression.

Lana is probably up there with Sophocles in terms of being one of the best characters of this group, and I'd go as far as saying she's probably the best non-Coordinator/Performer Pokégirl out there. While Sophocles ranks high due to getting good personal development, Lana ranks high because, while on paper her dream of creating a big balloon to explore the ocean with is simple and a tad silly, it is something she puts clear effort into and that she never loses track of through the whole series, even with a fairly noticeable void of attention in the mid-series stretch. Between being the first of the non-Kiawe classmates to get a Z-Ring and a Z-Crystal, learning how to use Hydro Vortex, then evolving Popplio to Brionne and then Primarina (while dealing with a Kyogre along the way) while also getting Oceanic Operetta, she's consistently focused on her improvement, and always the best female battler of the bunch. The only thing that really penalizes her is that while her dream is technically achieved, she ultimately gets Oceanic Operetta with offscreen training and they never make a point to highlight that as a big moment, and while her skill development is solid, she remains exactly the same character throughout the series from the first and last episode. An entertaining character for sure, but one that just gets stronger and not much else. Still, she's easily one of the best female leads this series ever had, and a good example of how to make a non-Coordinator-esque female character work well after the pitfalls Misty and Iris fell into.

Kiawe is not far from them, with a pretty solid run slightly marred by a few issues. Specifically, he's probably the best battler of this group that isn't Ash, but he's distinctly characterized as having two "modes" as a character: either the serious, spiritual follower of Alolan traditions, or the one that started popping out more often later in the series where he's an overreacting ham to rival Cilan. I personally feel Kiawe's better moments tends to come from the first mode, not only because he stands out better in a funny sense by being the straight-laced guy in a cast of wacky people, but also because he's the best character to explore the more spiritual angle of Alola, the element that truly makes the region stand out compared to previous ones featured in the series. Unfortunately, beyond the fact the slice of life romps tended to favor his wacky angle more than the serious one, Kiawe is penalized by not quite having a true arc to develop through: he wants to become a stronger trainer and claims so, but all his episodes ultimately end up involving unrelated matters: he catches his Marowak, learns to use a Z-Move with him later on, and ends up getting his Charizard back into working shape after he undertakes Fini's trial to save Ash, but while each of these are overall good showings and he's probably got the best League run of the cast in terms of prowess and skill, they tend to remain isolated instances. It also doesn't help that while his hot-blooded rivalry with Ash can be fairly entertaining and it's teased from episode 2, it ultimately culminates into an underwhelming showdown in the penultimate episode that barely feels like an afterthought. I'd hardly call him a bad character and he still does pretty well even with his issues, but one that could've been handled better on the whole.

A far different story is Lillie, a character that, I feel, suffered from several different issues all at once. To address the elephant in the living room first, let it be said that while they share traits, Anime Lillie and Game Lillie end up being fairly different characters by the end, and while I think Game Lillie is probably one of the best creations of GameFreak, my opinion on her Anime self couldn't be more different, and it's not due to straight comparisons between each other. Now, Lillie doesn't actually start badly: the fact that she has a phobia of touching Pokémon from an unknown source at first actually gave her a nice direction as a character in a way similar yet different from Lana, but it didn't take long for Lillie's major issue to show itself: things happen to her rather than her working towards stuff proactively, and the majority of the time her struggles are resolved by feeling sad or believing really hard with extremely few exceptions. This started already before the Aether arc, where while her episodes were good, they all relied on the exact same formula of Lillie unable to touch Pokémon, being unable to do so and feeling sad about it until she can in a spur-of-the-moment situation, which started to make her episodes feel stale.

The Aether arc seemed to finally change things as it heavily revolved around Lillie, but to anticipate some things I'll delve into more detail later, the changed circumstances ended up weakening both the conflict and her character, making her come across as too unlikable. But beyond that issue, the problem of the Aether arc is that it ensured that Lillie was completely healed of her phobia due to the actions of others rather than herself, which killed off all her character potential and left her with nothing to do for the rest of the series (while the conflict with her mother was completely brushed under the rug after this arc introduced and hastily attempted to resolve it). Sure, she 'grew stronger', and got a Z-Ring and Z-Crystal, but the majority of important things of the Mohn arc were actually dealt with by Gladion, while her own help ended up amounting to still, once more, feeling really hard rather than active work. But the biggest problem of her character is that all of her major achievements derived from either someone else (Silvally healing her phobia by saving her, Gladion actually defeating Totem Kommo-o, her Z-Ring being borrowed from her father, Gladion finding Mohn's Zoroark) or facilitated by outside assistance (her one victory in the League's Battle Royale coming from effectively killstealing a Salamence Kiawe weakened, her battle with Tyranitar having the assistance of a Totem Sandshrew) which made it hard to think she earned her development or truly grow stronger when she ultimately always ended up relying on someone else, especially given her tendency to never act unless prodded (see how she seemed perfectly fine not touching Pokémon for years until Mallow and Ash actively tried to get her to do it, nor try to learn why she has the phobia in the first place, nor thinking about where her father may be). This, alongside the tendency of the series to play up game moments like the Lillie and Solgaleo moment or her change in dress and hairstyle to show her resolve while sapping all the meaning they had in the source material and the habit of the characters to praise Lillie for anything she does no matter how minor or trivial, ultimately made her a character that was borderline insufferable to follow, especially for the classmate pushed as the most important beyond Ash.

The worst of all main characters, however, is without a doubt Mallow. While I have several issues with Lillie's handling as a character, at least her faults come with how the show decided to approach her, while I feel by contrast Mallow was only allowed breadcrumbs of just about anything, something already shown by how she had to wait until episode 18 for her first true focus episode. Back in the earliest episodes I thought her interest in making Aina the most popular restaurant in Alola could've given her a drive as a character similar to the one Lana and at the time Lillie had, only for the story to be content with leaving her where she is. Between the fact her Bounsweet evolved twice in ways that were respectively too sudden and rather unrelated to her and the habit of her focus episodes past her first to focus away from her more than on her (having to share screentime with her brother 'Ulu and Oranguru, specifically), it felt like she was added to the cast because they had to, and while the last year of Sun & Moon tried to put a patch on the problem by giving her emotional moments with her mother and her League match with Lana, said patches had the effect of not feeling very genuine since her mother, as I mentioned above, only really figured in one episode, while Mallow suddenly being afraid of Tsareena getting hurt when she fought in Ultra Space and in other instances just fine just feels like an awkward attempt at giving her an emotional moment that doesn't gel with her characterization too well. If we add onto it that she only mastered her Z-Move during the League itself, her Z-Crystal was gained just by making a burger, and the Shaymin she cared for after meeting her mother effectively did nothing afterwards until its deal was resolved at the last possible second during the final credits of the series because 'Ulu found some Gracidea with no input from Mallow proper, Mallow ended up feeling like the most mishandled characters of this crew, whose character and development felt more like isolated moments than anything cohesive.

The Pokémon of the cast outside of the major ones don't really warrant much talk, the best of the bunch being Kiawe's Marowak for his vibrant personality and good feats, while everyone else ranges from pretty much not too focused on (Turtonator, Charizard, Tsareena, Togedemaru), useful for development but otherwise kinda dull more often than not (Primarina, Vikavolt, Snowy), cute but pointless in spite of heavy buildup (Sandy), and pretty much useless (Shaymin, Magearna outside of being a McGuffin), mostly getting occasional cute moments than anything substantial or productive for their trainers.

2.2) Ash's Pokémon

Beyond the classmates, there's the matter of Ash's Pokémon as well, and I'd like to spend a few words on the Rotomdex. On the whole, he was never the most important character, but I'd say the best way to describe him is that he's a likable character that happened to star in some rather poor episodes: while his overreactions could get annoying sometimes, for the most part he was likable enough, and his existence ensured that Ash would lose his oft-criticized trait to scan Pokémon he already saw that made him come across as dumb, and some of his moments and hobbies made him pretty endearing. His only real problem is that his focus episodes usually tended to focus on rather stupid plots aimed only to comedy, and while three of them are at least arguable, his last true focus episode happened to be one of the worst episodes of the series due to how out-of-character Ash acted under the possibility of Rotom leaving. None of the issues of these episodes were Rotom's fault, but as a minor character, it was somewhat unfortunate for him to receive such a short end of the stick focus-wise.

Going back to Ash's actual Pokémon, beyond the eternal Pikachu, I'd say the one most worth of consideration overall is Torracat (or Incineroar, but he never fought under the form), both in terms of praise and criticism. I say so because, before his capture, Litten seemed to be given unusually large focus, including being the first of Ash's Alolan Pokémon to debut and appearing for several episodes even between his major pre-capture arc, which being among the most tragic and involved capture circumstances seemed to point towards Torracat being the 'ace Pokémon' of the region, only for things to change once Lycanroc entered the picture. To put it simply, Torracat has some rather solid episodes and a personality that very much matches Ash's own, but he often feels like he's only given breadcrumbs of focus. Between only taking part in one minor trial and no Grand Trials, not getting his own associated Z-Crystal until right before the League and having it used only twice counting the test run of it, and his rivalry battle being the only one in the Alola League to happen in the middle of a match rather than at the end of it (which lead to a rather goofy division of him getting declared winner and then fainting after evolving just so it couldn't technically be considered a tie even if it functionally was to preserve his triumph), it feels like the poor Pokémon is never given enough of his due, and while I enjoy his drive to surpass Kukui's Incineroar and especially the way the plotline was figuratively used throughout the Ash VS Kukui battle, it just seems like Torracat is always last in priority in terms of Ash's Pokémon, which makes even his good moments feel like afterthought even with nice bits like his relationship with Lycanroc, especially with how, as touching and well-executed as it was, Stoutland's effect on Torracat is forgotten as soon as it happens, between Fire Fang being mastered exactly one episode later and Stoutland himself only being brought back twice, once as a thought by Ash and only in the second with Stoutland meeting Torracat again in Poni Island, mostly for the purpose of teaching him another move. So, in my opinion, Torracat is a case of a conceptually solid-enough character, that's however penalized both by how little the narrative gave him focus, and the fact that his arc with Stoutland and his later rivalry with Incineroar are pretty much unrelated (for why I consider this a flaw, consider that fellow Fire starter Infernape was able to have a memorably tragic backstory that did dovetail into his major rivalry perfectly, so just asking for a degree of connection isn't outside the realm of what this show can do).

And then there's Lycanroc, the Pokémon that the series wants us to consider the regional ace, which had several issues associated with him. To put this simply, I feel like he was a much better character as a Rockruff than he was after his evolution, mostly for being the perfect mix of adorable, focused, and having actually pronounced rage issues that occasionally popped up but were treated completely seriously, alongside having a pretty good showing in the Olivia battle as a rare final bout to completely not involve Z-Moves in a period where their usage was starting to become excessive. However, after the evolution (which is treated as a rare, one-of-a-kind event due to Rockruff evolving during a rare green flash yet is never actually remarked on beyond very occasional comments that he looks odd that are never treated as much), his handling changes for the worst, specifically for two of his rather ace-worthy moments: its rage form arc, and the way his rivalry with Gladion's Dusk Lycanroc was handled. The first is overall the biggest issue, because it's also symbolic of Sun & Moon's tonal issues since his major challenge to overcome as a Pokémon is the fact that, whenever his fur gets dirty, he goes on murderous rampages, always after acting goofily shocked in a way intended to be humorous, creating a whiplash effect that doesn't make clear how the viewer should find the scene given it first asks us to laugh at Lycanroc and then to be scared of him. This is also only introduced once in the middle of the Aether arc and then never revisited until the Ula'Ula arc, where it's ultimately solved by Ash bringing back memories of how Rockruff used to act about getting dirty that happened completely offscreen, only for the writers to then milk the drama some more two episodes later by now handling the rage mode completely seriously in terms of reactions and using actual rage as the trigger instead of just specifically the fur, in an episode that ultimately relied on Ash not trusting his Pokémon (when he was already somewhat out-of-character by being scared by Lycanroc's rampage after he was willing to hug his blazing Chimchar to calm him down back in Sinnoh). It's all handled in an extremely brief arc and then never again, feeling like an arc that takes elements from both the Infernape and Ash-Greninja arcs while missing the slow buildup and non-regressive development that made those two arcs work (and I'll elaborate more on it in a bit). Beyond this, his rivalry with Gladion's Lycanroc suffers of being extremely sidelined in spite of being the 'major' rivalry of the series: while the two Pokémon did fight three times, the first time was interrupted by Team Rocket (something they stopped doing for major rival battles for quite a while beforehand), the second relying on some very weird resilience by Midnight Lycanroc by not only tanking completely Dusk Lycanroc's Splintered Stormshards to seemingly no damage but also snapping out of confusion to deliver a finishing Z-Move of his own, and the third relying on a battle that was overall not too bad, but felt more like a mid-series squabble than Ash's victory at the Alola League (which is then completely outclassed in spectacle by Ash VS Kukui). Dusk Lycanroc's rivalry isn't actually too bad, but considering how Gladion's Lycanroc is the only major opponent Ash's ace got to fight post-evolution outside the Ula'Ula arc, Kukui's Pokémon (none of which he defeated) and occasional training bout, it did restrict a lot of his feats and ended up with him feeling more like an okay Pokémon than the powerhouse the writing wanted him to seem like. Coupled with a lackluster personal arc, this makes him closer to the Krookodile tier of 'possible aces' than one of the major ones like Charizard or Infernape.

And then we get to Rowlet, the last of the major Alolan four counting Pikachu, and probably the most problematic of the bunch. Much like Torracat and Lycanroc, Rowlet isn't inherently a bad Pokémon, with the first episodes neatly estabilishing two things: yes, he is dopey and loves to sleep a bit too much, but he's also a serious and competent fighter in battle that never fails to impress, making sure that neither side ultimately hurt or diminished the other. His problem is ultimately revolving around two things: he's spent a long time out of focus, and his later focus didn't exactly paint him in a good light. The first is probably the major issue at hand: while both Rowlet and Torracat were heavily sidelined midway into the series, Torracat did at least get a few token episodes to himself, while Rowlet's first real focus episode after his capture one only really comes almost one hundred episodes later. While in the early series this was mitigated by having Rowlet take part in two minor trials and two Grand Trials, this focus is all but forgotten by the second year of the series, with Rowlet reduced to solely a gag Pokémon whose greatest achievement ended up being learning Razor Leaf by sitting on a magical tree. This had the adverse effect of making his gag tries, which previously only showed either in minor matches or not during serious parts of battle, to slowly become more and more prominent. The other issue is that Rowlet had without a doubt the weakest rivalry set up and buildup of the three major Pokémon Ash obtained in Alola, as Hau and his Dartrix only appear in one episode before the League and two of the three battles Ash had with Hau involved major, non-strategy related writing contrivancies to reach the desired outcome (Ash slipping his Grassium-Z and getting distracted to fetch it for Rowlet to lose for the first one; Rowlet's Decidueye hoodie tanking a Z-Move, the overturned loss, and the sudden learning of a Feather Dance that doesn't act like the one Rowlet was trying to master for Rowlet to win in the final one). The way Rowlet acted in the Ash VS Hau battle is kinda emblematic of this, as the oft-debated overturned loss moment involved him falling asleep in the middle a match he was supposedly fired up for just for the sake of a joke and nothing else; regardless of how one wants to justify it, it doesn't change that such a thing never happened before in the series, and it ultimately involved Rowlet betraying the trust Ash put in him just for a scene the writers deemed funny, in what was supposed to be his finest hour (while Rowlet fell asleep in the Hala Grand Trial, it was only after his part of the match ended). Considering also that two of the moves Rowlet learned required the help of his adoptive flock without as much input from Ash and he ultimately ate an Everstone just for a variation of Seed Bomb that turned out to be more a liability than asset throughout the series, not even a cute relationship with Meltan and the fact that he won his last important matches of the series makes up for some of the worst excesses of tonal imbalance and inability to let jokes go in a context that absolutely have no space for his brand of incompetence-based humor.

With the major Alola captures gone, there's just the other two latecomer to discuss, and I'd like to start with Poipole/Naganadel, specifically because he's probably one of the worst handled Pokémon Ash ever owned. While the second year of Sun & Moon had several issues, none are as glaring as Poipole being the major Pokémon of the period, only to not actually do much of actually important. Starting with the fact that Ash only bonds with Poipole by proxy to begin with since Poipole interacts with and loves Pikachu before Ash even actually enters the picture, Poipole's biggest contributions to the series afterwards are acting silly for the majority of episodes and never actually getting involved in serious fights beyond one small bout with the Team Skull trio (which is estabilished as even more pathetic than the Team Rocket trio), making the fact that Ash captured him feel like a waste, especially when his focus episodes dealing more with his emotional side end up being just two, and ultimately not doing much of helpful during the Necrozma arc except leaving at the end in what at the time felt like a rather permanent farewell (as he was stuck in another dimension rather than somewhere Ash can readily access). Now, if Poipole's story ended there, he would've been odd but not too bad all things considered, but the problem comes from the fact that Poipole eventually returned right at the end of the series for no adequately explained in-universe reason during an unrelated Guzzlord attack, not only evolved but also presented as a competent and useful battler in spite of the fact none of it happened either onscreen or by Ash's efforts (unlike how Gliscor and Goodra, Pokémon in similar situations, did prove their worth onscreen before being put aside for a time), making this turn come across as an undeserved boost for Ash just so he could have six Pokémon, alongside removing the beauty of the permanent farewell Ash had with Poipole because the sheer coincidence of Naganadel's arrival and then his departure means that they may as well see each other again in the future. Among Ash's Pokémon in Alola, Naganadel is probably the crowning example of the series wanting its cake and eat it too in terms of wanting to be cute and fun and then rushing to make battles matter without the required buildup.

Meltan shares a lot of issues with Poipole, but overall to a lesser degree, mostly because his biggest problem is just coming way too late in the series and, much like Poipole, he only really bonds with Ash by proxy due to starting to like Rowlet first. Much like Lycanroc, his existence is supposedly important as a new discovery but this trait of his is barely called to attention, and coming too late in the series he only gets a few battles to his name with his contributions mostly amounting to gags rather than skill and serious fighting, alongside having the dubious honor of being the only Pokémon of Ash's Alola team to never use Z-Moves in spite of Ash fetching a Steelium-Z as a result of his final Grand Trial for no other reason than the out-of-universe one that Melmetal has never been in a game where you could use Z-Moves. Adding to the fact that Meltan only evolved right before the League finals for reasons outside Ash's guidance or influence conveniently before the last match for the victory, only to give indirect help at best and then winning a battle against a Pokémon with no feats, it's hard to consider Meltan's power boost earned and even harder to tell if he even had a significant power boost to begin with considering how little feats we have for both him in particular and Alola battles in general. All in all, a Pokémon that's been more shortserved by how late he came than actually any inherent issues.

2.3) Ash, Pikachu, and the Team Rocket trio

And with all those characters breached, we have to move on to the Sun & Moon take on Ash himself, which is, to put it simply, rather complicated to discuss. Another one of Sun & Moon's biggest talking points was the decision to amp up Ash's typical childishness to higher degrees than usual, with even his voice actress Rica Matsumoto confirming in an interview for the next series that she was explicitly instructed to play Ash as younger than usual for the Alolan series. Now, yet again, Ash having a goofier and more relaxed personality is neither unprecedented (as he was always silly to a degree, even in XY) nor inherently bad, and the problems mostly came from how the series decided to handle him later. One good thing at the start was that the take this series seemed to go for was Ash being a battle shonen-esque hero stuck in the wrong genre, with his typical behavior clashing with the more relaxed nature of the setting, which actually worked well in ensuring he didn't feel reset while fitting the new mission statement of the series. The problems really came up with how, ultimately, Ash became the series' biggest target of butt monkey-related humor (with the rest of the cast either being treated far more seriously or only occasionally being given the same treatment) and his initial competence in battling lead the way to an overabundance of 'silly regular kid'-related humor with even battles treated as mostly laughing matters, something later battles and important matches overturned to a degree that started to make Ash's handling feel arbitrary.

And arbitrary is the best way to describe Ash in this series: he can either be as good a trainer and master planner as he always was (Ash VS Olivia, Ash VS Misty, Ash VS Kukui), a heroic young man willing to go to good lengths for people he cares for (Tapu Koko rematch, most of the Guzzlord arc) while being scared and intimidated by his own Pokémon (Ula'Ula arc), a regular kid screwing up on daily tasks and willing to cheat his homework (Sophocles' early focus eps, the open school episode), a whiny little kid (the Stoutland treasure hunt episode, the Rotom farewell episode), a surprisingly thoughtful and serious boy (Stoutland's death episode, Minior episode) and everything in between, with the changes being so jarring that it feels less like this show is attempting a nuanced take on Ash and more like the show is simply not caring to stick to any portrayal depending on what the episode requires, especially when as I said above the entire premise of the show hinges on Ash not falling for his typical wanderlust (which is the inability to sit still for long and explore the world, so 'school and daily life adventures' doesn't cut it) without ever adequately explaining how, and seeming strangely uninterested in looking for new chances to grow stronger unless they happen to come his way. Arbitrary is also a great way to describe his impact on both his friends and the region, where in spite of appearing in every single episode, it often feels like Ash is irrelevant to his own show: he has nothing to do with either of Lillie's family deals, nor Sophocles' growing independency beyond occasional sidelines support and kickstarting it indirectly with the Charjabug gift, he barely did anything to support Lana's achievements beyond being there when they happened, his rivalry with Kiawe was nice but ultimately wasn't given his due, and Mallow and him barely got to have significant interactions throughout the story. Most of his rivalries in the region were carried more by his Pokémon than himself as he only shared amicable relationships with all of his supposed rivals with no real competitivity at their core (aside from Kiawe, which as mentioned was done dirty), and even when he got to be a hero it was either as part of an effort by everyone (Necrozma arc, both Guzzlord instances, technically most Ultra Guardians episodes), relying on questionably justified plot devices (Aether arc, and once again the Necrozma arc), or ultimately moving the focus away from him and his influence when you'd think the story would do the opposite (Guzma's parts in the Alola League). Adding onto that that the amount of times his Pokémon gained moves in the heat of the moment without training (a series staple that previous series tried to downplay with more onscreen training) and how his Pokémon ended up learning moves more for the actions of someone other than him than because he helped them, and Ash's handling in this region really adds up to strangely inconsequential, which is particularly bad considering how the League tried to go the other way, making his eventual achievement at the end feel hollow in the face of lacking buildup in the region and the several boosts and narrative aids he got to get there.

There's also the elephant in the living room that is Ash's development. Early in Sun & Moon I've seen people claim this series was more about Ash developing as a human being than as a trainer, which would be true... if not for the fact stuff like Ash doing chores was also alluded to and shown in previous series like AG and DP, and that during the Alola League (which should be the culmination of the series) none of it is actually remotely involved except for Ash talking of his love for the region during the final attack, while it never actually showed in previous matches (even against Guzma, which should be where this should come up given Ash's declaration at the start of it, the narrative wants us to stay in Guzma's head instead). The 'love for the region' thing also seems weird to bring up to me considering he actually spent less time exploring the region and more being holed up in one city with very occasional detours, with most of the plots ensuing around him being the sort of thing you'd see in "filler" episodes (like taking part in some competitions, taking part in a play, etc). It feels more like the series wants us to pretend the typical filler hijinks now are part of character growth rather than being just small adventures for fun. If we consider that learning to love the region, then Ash didn't really do much of different from previous series beyond sitting still this time around. And ultimately, the fact that Ash is back to adventuring now in a similar way to previous series means that if Ash ends up winning a League again in the future (which is not unlikely now that the ceiling was broken through), none of the reasons given to make his stay in Alola significant would really age well. The only arc that I feel actively tried to develop Ash as a trainer was Ula'Ula, and that still relied on some very significant moments of out-of-character behavior from Ash.

2.4) Relationships, and Everyone Else

I think at this point one recurring issue has cropped up: specifically, there are so many supposedly important characters that none of them truly got their due in terms of focus, either having to be satisfied with a number of focus episodes that barely amount to an arc or with their involvement into things reduced to just their specific deals and barely little else, especially with how this was the first series to not have all of Ash's friends necessarily involved in every episode. I feel this had a pretty adverse effect on the series' dynamics, as the already diluted interactions between the cast due to the large group ended up being even less focused on given that not all the characters were always there. As a result, we barely know stuff like Mallow's or Sophocles' relationship, or Lillie's and Kiawe's, and so on, with their own relationships to each other mostly falling into basic friendship (the ones with Ash in particular mostly falling into respect, friendliness and occasional snark at his expense), with only a few like Kiawe's competitiveness with Ash or Lana and Mallow being revealed halfway in as childhood friends having particular focus, otherwise being content with splitting the cast into 'the boys' group' and 'the girls' group' whenever they needed focused attention, and the rare occasions where the characters had some interactions. For the most part, perhaps emblematically of this series, characters mostly shared moments rather than actual relationships.

All that's left to discuss in this area is the rest of the cast, and let it be said... for a series supposedly about exploring the people of Alola, the majority of the non-main cast ranges from forgettable to rather dull, especially once we move to the lesser recurring characters. Lusamine's reduction to an overworked mother who only gets involved in matters explicitly tied to her children and occasionally the Ultra Guardians missions was a rather noticeable waste of an interesting game character, and while Kukui does have a nice presence and good usage throughout the series, the same can't quite be said of his wife Burnet, who beyond some good presence in the Aether arc and minor bits of exposition when dealing with Ultra Beasts (and in particular Necrozma) is effectively sidelined in housewife position for most of the series as Ash's 'second mother' (a position that, unlike Kukui who actively acts the part, mostly seems to come from cooking for him and being married post-Aether) with most of her funny moments coming from being a Royal Mask fangirl. Wicke has very little going for her, while Faba is probably one of Sun & Moon's worst misfires in that, after making his villainy far worse than his game self, the story acts like he should be forgiven while never actually learning his lesson, in spite of the show telling us he caused trauma to Lillie for years and how most of his contributions to anything end up boiling to minor help at best, and attempting to cheat his way to what he wants (the League) at worst. It's a horrible lessons for kids to have, and I'm not sure what the writers had in mind with this aside from keeping him around because the games' more snively and heinous Faba (even accounting for his more evil USUM iteration) also did.

Then we have the Kahuna, which are for the most part okay bit characters (even if Olivia's take was pretty weird, coming from her game self), with Nanu as the obvious standout even between the issues of the Ula'Ula arc as a jerk trainer with a point that doesn't really get 'taught his place', close enough to his game characterization, and Hapu having a decent track to development in the Poni arc (even if much like Olivia, it sacrificed her game characterization along the way). The other Trial Captains not part of the main cast run the gamut between nice to see but not particularly deep (Acerola, to a degree Ilima) and pretty much borderline pointless (Mina). Ash's rivals are a similar deal, with Hau being nice but having not too much to himself with how late he enters the series, while Gladion is an alright character whose rivalry with Ash mostly suffers of being a tad vanilla: they're on friendly terms, are strong, and like to battle each other, but beyond that Ash doesn't have much of a reason to be a rival (something even Alain had by being interested in facing Ash even if he was as separate otherwise), like the student-teacher relationship Sawyer had, or the foil status Paul shared with him, or simply being an old friend he wanted to surpass the way Gary was. Their lack of connection alongside the fact that Gladion would barely think about him unless the plot required him to only contributed to them feeling a tad distant from each other, and why their final bout at the League felt for many viewers just 'okay' rather than the earned culmination of their relationship.

And then there are the lower tier recurring characters, ostensibly Sun & Moon's selling point as, unlike previous series, only rarely did the series happen to introduce 'characters of the day' that never came back afterwards. The biggest problem is that, ultimately, all of these lower tier characters are still as flat as the characters of the day of yesteryear: in spite of appearing several times, all we know of Anela the old lady is that she used to be a dancer and likes Litten/Torracat a lot, Ulu is pretty much an even more flanderized Brock that seldom pops up, Anna the reporter mostly stuck to that role, most of the parents and relative of the classmates that weren't Lillie's remained minor characters with little of note to themselves, and so on. The only noticeable recurring guys among the bunch are probably the Skull trio (which mostly acted as a second rate Team Rocket while was even less recurring than they were in this region) and Viren as a recurring antagonist, mostly for being the kind of villain you usually saw punished at the end of the series in previous series (like Dolan the Pokémon merchant) except made recurring in spite of being arrested in his previous appearence, with no real explanation beyond 'kids' show logic'. Even supposedly important characters like Ida and Horatio mostly remain rather regular mentors and rivals with not much else to them, and are unlikely to stick to anyone but the most diehard fans. There are of course some good characters among this bunch, especially the borderline characters of the day like two-episode-wonders Dia and the Kanto weaboos in the Malie City arc, but overall, if Alola truly wanted to make this a lived in and more developed region than previous series, its inhabitants didn't give this aim any real favors, in my opinion.

3. A Dissection of the Series: What Went Wrong, How, and Why

With the biggest parts of important elements of the series analyzed, I'd like to use this final part of the review for some extra analysis of how the series went down and why, in my opinion, it ended up changing for the worse as it went along, since there's one important thing to point out: Sun & Moon, conceptually and fundamentally, wasn't a bad series. But what it does have is, beyond some big flaws, several small ones that continously added up.

Now, let's start to dissect everything, dividing everything by their year of airing.

3.1) Year One: Beginnings, Akala Island, Aether Foundation

When I say that, I have to start with saying that my opinion of Sun & Moon wasn't initially this negative, and in fact, the first twenty-to-forty episodes were actually pretty nice: while the setup is slightly different than usual and humor is definitely prevalent (in particular the oft-mentioned 'funny faces', which would go on to become one of the defining elements of this iteration, far more than any prior series), there's a steady influx of plot-important episodes, development and setup for the future to help making the series a breezy watch, with each slice of life romp feeling either productive or simply fun diversions. Among the good things estabilished here that stand out as good even at the end of the series there's definitely the spiritual angle of Alola, an angle that whenever explored truly does make the region feel different than previous ones and like Ash is effectively experiencing something he never did before, and with stuff like the first trial and Grand Trial alongside Litten's capture arc and Gladion's introduction help keeping ther pace going even in the absence of a more overarching goal in the League. Now, this stretch is hardly perfect, considering that it already shows several cracks that later expanded: Ash only decides to move to the Island Challenge when he happens to remember about it in episode 9; a lot of battles end way too quick and barely get focus except for Trial and Grand Trial (which still have a somewhat lethargic pace); Gladion's decent rival setup is ruined by an unnecessary Team Rocket attack; some Idiot Plots and empty episodes that are just dull to watch happen; certain setups and developments are rushed to the finish way too fast; and, most importantly, the removal of Trial Captains from the lore and Team Skull as a consistent presence beyond occasional moments ended up removing tentpole parts of Alola's nature in the games that the show barely fills adequately, and it opens the door to call anything the show wants a trial, no matter how unrelated to battling it is, giving a feeling that the Island Challenge is hapzardly put together. But, during these early episodes, the problems are negligible or made up for, and even nowadays, I'd heartily reccomend everything up to Stoutland's death as legitimately good.

The first crack, overall, comes from the Akala arc. At the time of its airing, it looked to be a breath of fresh air as it finally moved away from Melemele Island after a rather noticeable dip in plot important events for more filler-y hijinks, and due to prior experience with the series, it was easy to assume the cast would've remained there for a while. However, that didn't end up happening, the arc ending mere episodes after it began, after rushing through equivalents of the three in-game trials (with Ash only effectively taking part in the Grass Trial from the games while Kiawe and Lana ended up gaining his Marowak and her Z-Ring and Waterium-Z instead) until it culminated in Olivia's Grand Trial, with one extra episode dealing with evolution-related issues for Lycanroc culminating into Dusk Lycanroc. This arc already started on a bad note by only allowing Ash one of the in-game trials for a Z-Crystal, which while to a degree understandable on the reasoning of wanting him to only have Z-Crystals he'd effectively use and the seeming decision at the time to not have overlapping Z-Crystals among the main cast, ended up solidifying the 'whatever counts' feeling of the Anime Island Challenge, and a first proper episode that seemed to relish into making Ash into an even larger butt monkey than usual, including him crying like a baby upon losing in a way that would've been immature for his OS self. Kiawe's episode was the standout of this batch, as it focused on him confronting an opponent he couldn't beat and with Ash giving him support into improving, estabilishing a good challenge to overcome in a way that had become rare for the series and was good to see again. Lana's own Trial wasn't bad either, but suffered of having more challenge put into it during the fishing part than the battling part, and Ash's Grass Trial being a battle that suffered of both misplaced comedy (an example of tone imbalance I'll address more later) and an opponent that barely even moved in Totem Lurantis. Olivia's Grand Trial was also probably one of the best battles to come out of Sun & Moon, putting a focus on strategy even in an extremely slow battle and with a more-than-decent finish, with the only blemish being that Rockruff's signs of evolving only really come one episode before they develop further into him evolving, and the already-mentioned problem of Dusk Lycanroc being supposedly a new discovery that nobody paid much attention to, after which we moved back to Melemele to resume the rhythm of seeming slice of life (with at least three episodes of good importance and one nominally important).

After another brief stretch, we moved briefly to Kanto for an arc that was ultimately just nostalgic fluff for old fans bringing back Misty and Brock, which was nice even if transparently OS-pandering (to the point Misty's Azurill and even Tracey were not even as much as mentioned during the episodes), with the only really important contributions to the series beyond two cool fights in the second episode was the first mention of the Alola Pokémon League (with Kukui being reminded he'll need badges, something he seemed to not pay much attention to later) and Misty and Brock getting a promise of a visit to Alola that didn't really do much for the series beyond further fluff. After this, however, we finally moved to one of the first truly major arcs of the series: the Aether Foundation arc, or, in my opinion, where the series really started to fall apart.

At first, the arrival of the Aether arc seemed to be rather promising, seemingly keeping the slice of life nature of the series but starting to delve into the elements of the games for what people presumed to be a slow burn to a payoff loosely covering the game events. Except... that's not really what happened. Instead, this entire arc turned into about a dozen of episodes harshly abridging the entire villain arc of the games and cutting everything they couldn't fit, while seemingly following the conflicting mission statements of making the arc as loosely close to the games as possible while trying to be as different from them as possible, and this was clear from the very beginning, with the introduction of Lusamine as an overbearing mother with none of the deviousness of her game counterpart. This, however, isn't necessarily a problem as the Anime has often rewritten game characters before, but what the problem is is the fact they changed the conflict of Lillie dealing with the emotional abuse Lusamine inflicted upon her into Lillie simply being annoyed at being treated as a child and, most importantly, being annoyed at how her mother evolved her own Clefairy, something Clefairy itself didn't have a problem with, that makes her come across as a spoiled brat and losing most sympathy (especially when no one but maybe Burnet reprimand her for her callous behavior), especially when Lusamine is treated as legitimately loving her and just being too busy rather than having any malice. The problem is also that, throughout the arc, the only one blaming Lusamine for never wondering how did Lillie develop her phobia of Pokémon is Gladion, while true to form Lillie doesn't seem to hold her mother accountable for it, and in fact, only wants to uncover the truth after Nebby teleports her near Type: Null by sheer coincidence, reverting her development from her focus episodes. Nebby is another big issue, as its ownership moved from Lillie to Ash for no reason other than giving him a reason to be involved in what would've otherwise been 'the Aether family show', yet the episode wants to still play into the game by implying Lillie and Nebby have a special relationship when they share their moment.

What I feel was the biggest issue of this specific arc, however, was shuffling the actively villainous role of the plot towards Faba, where he actually manages to be menacing for a brief while before the show decides to fully portray him as a silly villain hard to take seriously (including a magical girl routine to activate an Ultra Wormhole-creating machine) even as he's responsible for Lillie's trauma in his attempt to make Lusamine happy and finding an Ultra Beast for her and tried to wipe out Lillie's memories when she seemed to be able to reveal what happened. In the midst of a sea of confusing plot holes by adaptation (why was Type: Null fitted with the mask when as Silvally he did exactly what he was asked to do and Lusamine seems unaware it even exists? Where did the RKS System ROMs come from? Why the heck did a random Solgaleo and Lunala entrust their child to Ash to begin with?), the biggest problem of this arc comes from how, in Faba's aborted attempt to wipe out Lillie's memories, Silvally's attempt to save her reminds her of what really happened when she developed her phobia (a mere two episodes after it was revealed what caused it), giving her back the ability to touch all Pokémon again, making her previous attempts to do so feel retroactively pointless and only there to milk viewer sympathy for when she lost the ability to again, alongside ensuring to keep her development path directionless after this episode barely one third of the way into the series.

The biggest problem after this, however, comes from Faba's subsequent plan that ends up with Lusamine defending her children from a Nihilego and ending up dragged into Ultra Space due to her act of selflessness, with Lillie, Gladion, and subsequently everyone else moving on to Poni Island to rescue her. Along the way, Lillie changes into what the games called her 'Z-Powered Form', which in the games symbolized her moving away from her mother's shadow, while here it means... pretty much nothing, voiding it of its significance and making it come across as either a game-pandering move or something just done because the source material did it. Another significant issue of this stretch is Ash's upgrade of his Z-Ring into a Z-Power Ring, under the absolutely important reasoning of his Solgalium-Z not fitting in his regular Z-Ring. Meaning that Ash needed a magical, seemingly important ritual to obtain something whose usefulness boils down to borderline cosmetic reasons, especially as we later see Z-Power Rings doled out regularly like they're nothing important (including one to Team Rocket and Gladion's regular Z-Ring turning into a Z-Power Ring with no one remarking about it), which is probably one of the most blatant cases of marketing dictating plot flow in the history of this series.

We then moved on to the final battle, which was admittedly decent enough beyond some strange issues of power creep (like Sophocles one-shotting Lusamine's Milotic) and some occasional bits of tonal imbalance (Teether Dance hula in the middle of a serious mission by Sophocles, Mallow and Lana), but was marred by two issues of significance: one was the decision of having Lillie's big moment with her mother possessed by Nihilego involve her giving a speech of how she hates her and how she allowed herself to be possessed by an Ultra Beast for how self-absorbed she is, which while definitely meant to come across as "the mother I respect would never fall for it" has the problem of Lillie and Lusamine never getting a softer reconciliation before this moment (with said softer reconciliation seemingly happening offscreen after everything was over, which we never heard of until almost episode one hundred), which just further makes Lillie unlikable. The other problem is the grand debut of 10,000,000 Volt Thunderbolt, a move that was only used three times that was either poorly explained or never actually received an explanation depending on how you interpret the part where it's employed in the very last major battle of the series, completely out of nowhere except for perhaps Ash's Electrium-Z shining briefly a lot of episodes ago, which was never fully explained, as is the fact Ash's Pikashunium-Z reverted after use.

And thus, after a wedding between the four-times-dated Kukui and Burnet and with Nebby deciding to leave for no adequately explained reason, with Lusamine estabilishing a task force for Ultra Beasts which involves the classmates and Lillie in the closest thing this series gave them to an onscreen reconciliation, after an arc where Lillie supposedly grew... things returned to be for the most part exactly like they were in previous episodes, almost like this arc never happened, including Lillie reverting to her regular clothes. Pretty much, this supposedly character-focused arc ended up coming across as ultimately not so important, especially when Lillie's personality remained roughly the same with the only real problems she developed from being the ones this arc itself introduced, except for now being able to touch every Pokémon.

Things seemed to just return to normal, even if this was just a prelude towards the structure of the series completely collapsing on itself.

3.2) Year Two: Ultra Guardians, Ula'Ula Island, Necrozma

Year two is the one to which I, personally, trace most of the problems of the Sun & Moon series, as the major focus of the series throughout this period ended up being the 'Ultra Guardians', a Sentai-esque team formed by the main cast under Aether Foundation supervision tasked with dealing with Ultra Beasts, and the biggest problem of this arc is that it really wasn't an arc so much as it was a loose connection of monster of the weeks plots that occasionally was brought up outside of them, but was otherwise completely separate from everything not just in terms of structure, but also in tone, as a parody Sentai with barely threatening monsters clashed heavily both with wanting to be a chill slice of life Anime and with wanting to be a battle-based Pokémon Anime. It's an arc that never fully gelled with everything else (the only I'd save being Celesteela, a good Sophocles episode and a rare character-driven Ultra Guardians romp) and ultimately ended on a pitiful note with a rather dull episode with no real oomph to it, but ended up taking the 'main arc' position and leaving the rest of the series pretty much directionless, with several major arcs stalled and, beyond Lillie obtaining her Icium-Z and an Ice Stone that then disappeared completely, Torracat and Steenee evolving, and the Ula'Ula arc for Lycanroc, and Poipole leading to Necrozma, pretty much little of major happened. Teams remained frozen, and development seemed to hit a dead end, beyond officially introducing the Masked Royal.

Between the Ilima episodes (which felt like a waste considering his main purpose at the League ended up being effectively jobbing to Guzma) and the beginning of the Ula'Ula arc proper, the viewers and the students were properly acquainted with the idea of Alola soon getting a Pokémon League, with both Ash and Kiawe expressing interest in it. This didn't send any weird looks yet, as Kiawe was estabilished as the other major battler and to have taken the trials, but this was in hindsight an important omen of things to come. In the meantime, however, Ash departed for Ula'Ula in what turned out to be a solo arc, and one that started up promising only to run into big issues along the way.

I already mentioned part of it when talking of Lycanroc, but the problem of the Ula'Ula arc is that it works on the assumption that Ash would be scared of Lycanroc's rage issues to the point of not acting, with Tapu Bulu's training giving them a moment to surpass those issues that, even with Rowlet suddenly learning Razor Leaf by sitting on a magical tree, could've even worked if it wasn't for the fact that to calm down Lycanroc and reaffirm his trust in him Ash ended up involving a flashback to Rockruff that we never saw before, making the whole affair come across as insincere. After an interlude where Ash undertook a 'Trial' that was technically the in-game Ghost one but was effectively a phony one involving Team Rocket (just furthering the 'whatever goes' sense of the Anime Island Challenge) that resulted in no Z-Crystal, the debut Electroweb, and a strange appearence of 10,000,000 Volt Thunderbolt again in spite of the whole thing being a relatively down to earth affair even with Team Rocket about to win with Mimikyu's Z-Move, this arc reached its conclusion with Ash VS Nanu, a battle that's been in equal part praised and mocked, and which I had a friend describe in the most accurate way as a well-written and interesting battle... for anyone but Ash Ketchum.

Seeing a battle taking on a more psychological bent with Nanu toying with Ash and trying to force him to give in to Lycanroc's rage mode is an admitedly interesting choice and Nanu is absolutely the best part of this battle for it, but the problem is that this requires the assumption that Ash would unconsciously not trust his Pokémon after they put the rage mode under control with trust to begin with, alongside the battle being rather visually boring and with a 1 VS 3 set up that makes it more seem like Nanu is weak than Ash being strong (especially with Tapu Bulu tossing in a Sitrus Berry mid-match). This is supposed to be Ash's big development moment as a trainer in Alola, but it requires Ash to have a regressive mindset that doesn't fit how far he's come (something Sun & Moon does in quite a few things big and small, like completely forgetting Jennies and Joys are families of clones after the Kanto episodes) and, much like the Aether arc before it, begins and ends in the few episodes it takes to happen, I already covered Poipole's issue in his character dissection, so I'd like to move on to the most important part of this year: the Necrozma arc, which among the major arcs of the Sun & Moon series it's probably the most irrelevant. Coming in after only minimal foreshadowing (including a fairly interesting hint of a connection between Nanu and Giovanni that the show never really dealt with adequately), this arc was effectively as standalone as it gets, involving events that were only briefly mentioned after it (Rotom depositing the data of Necrozma in the Stufful episode, Naganadel's return, the stadium where the League was held being called Manalo Stadium), and that tried to make a big dangerous deal without actually having much happening: beyond the biggest damage of the episode being adults feeling comedically down as a result of absorbed energy, the introduction of an Elite squad of Team Rocket led by Giovanni's secretary Matori (here revamped as a Team Rocket trio hater in spite of originally being the one reccomending them to Giovanni in DP's last episode) that ultimately did nothing significant except maybe causing injuries to Nebby that wasn't clear if they happened or not with how stiff the animation was, the baffling and unexplained return of Nebby alongside an out-of-nowhere Lunala, and a general sense of big deal where nothing much of dangerous for the cast happened (and that bafflingly replaced the Ultra Recon Squad and Ultra Megalopolis with a talking Naganadel and a generic quarry that achieved effectively the same purpose), this arc ended up feeling like a snoozefest that only resulted in Poipole staying behind in his now healed world in an overall beautifully permanent-feeling farewell, except that, in the light of future events, this choice felt like one that effectively harmed the show in the long run. Also, with Matsui being the headwriter, one might think resolving the arc with everyone sharing their energy borders on self-plagiarism considering she was also the headwriter of Dragon Ball GT, which had a similar climax (itself inherited from Dragon Ball Z).

Thankfully, even if this year was really not the greatest, the following one brought as much improvements as it did other problems to deal with.

3.3) Year Three: Poni Island, Hints of Mohn, Alola Pokémon League

The third year of Sun & Moon did not start on a good note, as after the Necrozma arc the show ended up on a shortage of things to look forward to, with several arcs still stalled and only the still no show Guzma and the League left to check out. During this period, perhaps to lead into Let's Go marketing, we started getting some shorts at the end of each episode dealing with an Eevee getting to Alola, which everyone assumed would eventually go to Ash, only to unexpectedly go to Lana in a move that made some fans sour. Sandy didn't end up doing much else but being cute and possibly allowing Lana's arc to resume by giving her another cute Pokémon to hold in Popplio's stead, but that was it for a while alongside Hau's debut as a character, in an episode infamous for being at the same time an okay rival introduction where Ash lost a fight by fetching his Z-Crystal and getting distracted to take it back, and where Rowlet ate an Everstone for a move that turned out to be more trouble than it was worth.

Beyond Misty and Brock visiting an Alola (which involved an episode where Brock's womanizing gag was blown even further than ever before) and an actually pretty decent arc starring Ash tossed into a post-apocalyptic alternate Alola to deal with Guzzlord in a rare instance of an Ultra Beast being presented as an actual force of destruction, the show finally started to move again with the Poni arc, or as some people called it 'the ultimate development arc', as the focus of this arc seemed to be the opposite of Ula'Ula being an Ash solo act by putting the focus back on the neglected companions, giving them either a new character direction, Z-Crystals evolutions, new Pokémon or in Ash's case his final Grand Trial, all tied together by Hapu opening up to the crew after starting standoffish and distant. Overall, Poni isn't on paper a bad arc, and there are quite a few episodes that are actually pretty good (Kiawe's trial among them for sure), but cramming all this development on the same island one after the other only had the effect of feeling jarring (unlike how Akala was not only still early enough, but only gave significant new things to Ash, Kiawe and Lana), most noticeably by cramming two completely separate evolution plots in the same episode in a move that slightly hurt both of them (Sophocles' feeling a tad impersonal, while Lana's lost the actual training part of it), Shaymin was effectively even more irrelevant than Sandy in the series, the Mohn arc estabilished here had some problems I'll get into soon, and the Hapu Grand Trial ending up as one of the worst 'Gym battles'-like matches Ash ever fought by utilizing the same strategy to victory as the extremely derided Brock battle by dousing Mudsdale and using an Electric attack on it, only adding the patch that 'it was just like Soak' even if no Pikachu can access that move. Ultimately, a well-intentioned arc that felt a bit too little, too late, and came at the expense of Ash's own focus before his final Grand Trial (to the point unlike the previous islands he didn't even do any unofficial trials before this one).

Following this, the next major episode (excluding a two-parter introducing Ash's Meltan that arguably ran one episode too long) was one that was both long awaited and caused some issues and improvements for the series going forward: Guzma's debut episode, alongside the formal announcement to the world of the Alola Pokémon League... and more specifically, the fact that it would be open to everyone with no requirements whatsoever, on the justification that it's not important who wins. Now, I've seen way too many debates on the topic, so I'll put it simply: regardless of if you think an open League is a good idea or not, it does mean that the various trials and Grand Trials Ash took on lost a lot of their meaning since they became self-sustained achievements that don't mean much outside their bubble if Ash didn't need to do any of them to enter the League, and this structure did cause several problems that lowered the general quality of the Alola League for a decent part of its length. When Guzma is being painted as the bad guy for considering the League just a schoolyard fight between weaklings, the viewers shouldn't be inclined to agree with him.

Another big issue of this decision is that, otherwise, it caused the structure of the series to come under scrutiny: before, and usually, since Ash is the only character taking part in the League, it's only his growth in skill that is under scrutiny, and everyone else is free to be as strong or as weak as necessary, but opening the door to everyone to join in also meant that everyone in the series came under scrutiny, and to put it simply characters like Mallow just weren't made to be involved in it even under the guise of a League for fun, something that showed in the actual execution of the Alola League and that I'll get to in a bit.

The episode after this one started the further estabilishment of the Mohn arc, and let me just say... this arc is, on the whole, probably the most disappointing of the various arcs of Sun & Moon, and that's saying something after everything I explained so far. Specifically, the biggest purpose of this arc was for the Aether family to find out about the whereabouts of the seemingly dead patriarch of the family, and supposedly show Lillie as being 'strong' after the events of the Aether arc, but in actual concept, it was just a convenient way for her to get a Z-Ring after conveniently ignoring the possibility for almost one real life year, getting it 'on loan' for almost getting a Z-Move to work in spite of everyone else requiring to pass a real trial to get theirs, and with her contributions effectively ending up still needing Gladion's help and amounting, once more, mostly to feeling sad to catch audience sympathy, while Gladion gets a Zoroark to be only used in one round of the League. But the worst part of all is that this arc, to put it simply, doesn't end. After Magearna finally wakes up and we get the not explained reveal that it knows where Mohn is, the Aether family embarks on a journey to find him... only for the series to end at that point. After spending six months teasing this storyline, just leaving it hanging like this is poor storytelling, and even with the justification that Pokémon 2019's world-hopping premise would mean the new show can end it for Sun & Moon, the series shouldn't have to rely on another one to resolve its own plots, especially one on which supposedly significant moments of the late series hinged on.

The rest of the series, however, does gain something from the open League premise, and that something is a consistent direction by having everyone get boosts in preparation for the League, which at the very least leads to some alright moments for Sophocles that play nicely in his arc and the technical resolution of Lana's arc, among a sea of strangely persistent legendary appearences that only got more and more contrived as the series went on considering they were entirely separate from each other, even the ones that led to ultimately good episodes (like the one where a Celebi led to Ash and Torracat meeting a young Professor Kukui), since it felt like a move to ensure attention that was wholly unnecessary to the story being told. But over time, everything came to a close with the start of the Alola Pokémon League, probably the most talked about arc of Sun & Moon, for good or ill.

The Alola League is unique in several aspects, both in terms of the Sun & Moon series and the Anime as a whole: for the former, it's a battle-focused arc in a region that didn't want battling to be the focus as the climax of it; for the latter, it's the longest League arc in the series' history. clocking at roughly sixteen episodes. Being a tournament arc, you'd think such a good length would benefit it, but the way the series decided to execute things left a lot to be desired, most specifically because Sun & Moon has a very mixed track record in terms of battles and for the decision to show every battle of the tournament even if just partially. There is a lot that could be said about this arc, but I'll try to aim for the big ones first: for starters, beginning the League by reducing the contestants to just sixteen using a Battle Royale was a rather poor choice, as not only that's a format that allows characters to reach high positions by just surviving rather than being strong (as seen by how James got to the Top 16 even if he explicitly didn't face anyone), but confining it to just one episode meant that pretty much every battle of it was reduced to just a series of one-hit KOs from every major characters, with all of them ultimately surviving. After that, another problem was how a lot of the early rounds of the arc ended up averaging between okay to poor battles, with the dubious honor of having Ash's first battle being completely for laughs against Faba, the only character beyond Jessie and James to get one in this League in spite of being the eventual winner. I already mentioned the specifics of Mallow's attempt to quit her match coming out of nowhere from a character standpoint and the issues of Ash VS Hau, so I'll just say that Lillie's battle against Gladion was okay but done dirty for what was supposed to be a huge moment for her in terms of development, and that Sophocles', Lana's (sans Mallow's) and Kiawe's battles ended up being okay to great on the whole. However, the fact that the first two rounds of the League only used one Pokémon each didn't help the sense of escalation at all, nor the sense of Guzma being correct in describing this League as 'a schoolyard fight between weaklings'.

From the Semifinals onward, the League improves in quality due to only good battlers remaining, though it does run into problems of a different sort: Guzma, which was built up as the major threat of the League with Ash vowing to stop him due to what Alola did to him, is not only dealt with in the penultimate round rather than in the finals, but in a battle that makes that statement ring a tad hollow since the perspective we follow during the fight isn't Ash's, but rather Guzma's, shedding some light into his confidence issues and his Golisopod's habit to use Emergency Exit whenever scared (which beyond being only halfway foreshadowed, also ends up with the bad side-effect of giving Ash a free win through Torracat, turning Ash VS Guzma into a 2 VS 1 in Ash's favor), but effectively making Ash interchangeable as a result. It's a good fight with some nice moments, but it just makes his build up as possibly ruining the League for everyone ring hollow when his presence didn't seem to ruin the League for anyone in any way, and the threat wasn't even considered worthy of the finals. Kiawe VS Gladion, by contrast, is mostly a good fight with not much else to it. However, one thing that starts to be noticeable in this part of the League is the sheer reluctance of the show to start any matches before the halfway mark or close to it, padding the airtime as much as possible with not always necessary scenes and stretching the battles along two episodes even when not necessary.

The finals having three Pokémon each meant that Ash VS Gladion ended up having a bit more meat to it in terms of battling, but Ash once again ended up getting another boost in the form of Meltan's evolution into a supposedly powerful mythical Pokémon, which would already be bad since he shouldn't be getting these kinds of boosts at the very final stage of this story (and yes, just to be clear, Kingler's deal was poor writing back in OS as well) but also comes after a gag battle rigged in his favor, a battle that required several contrivancies on his side to be won with Rowlet, and another battle with a facilitated victory in Guzma, making it feel like Ash ended up getting into each of these matches with the writing rigged on his side. The Gladion battle has some fairly good moments both from a character and battling perspective, but between the unearned evolution right before it and just the way they built up to things, Ash's victory here ended up not really feeling as impressive as you'd think this first League Conference victory should be, all things considered. A battle that just ends up as 'okay' rather than the amazing it should've been.

However, after a somewhat dull interlude involving a Guzzlord attack that's probably comprised of more stock footage than action just so Naganadel can come in to make number, we moved on to Ash VS Kukui, probably one of the best battles of this series. That said, while it is pretty good and better written than the majority of them, especially in terms of how Torracat is handling for its first three episodes, it is knocked down by being an exhibition match, meaning that beyond 'fun' and offering a good fight, Ash doesn't need to win this battle (unlike how every other major battle at this stage usually comes with adequate stakes), and most importantly how Tapu Koko forced his way in in place of Kukui's last Pokémon (after Kukui allowed Naganadel in on the pretense of being part of the family, ignoring that three-to-four of Kukui's Pokémon in this match were never seen before and his supposed Pelipper was completely excluded just because the local deity wanted some fighting), which given how Koko wasn't part of this particular equation comes across as scrunching two battles to save time. It also doesn't help that then Tapu Koko interrupts the match again just to allow Kukui and Ash to use Z-Moves again, with Ash ending up using 10,000,000 Volt Thunderbolt for the final time while praising the region, which while making for a cool finisher it ultimately makes Ash's supposed aim to master Z-Moves to defeat Tapu Koko resolved in a poor way when he only won using the Z-Crystal he never actually trained to use and that only conveniently showed up whenever it needed. Accounting for yet another boost in the form of Naganadel's return, this battle is ultimately marred once again like most of the League by the writing apparently wanting him to win at all costs and look good while doing so, strategy and skill be damned along the way.

After this followed two episodes of closure, that had some good moments (especially in regards to the Team Rocket trio) but ultimately involved a lot of contrived instances (like an Ultra Wormhole for Naganadel to return home coming just above Kukui's house) or poorly executed moments, most importantly the completely offscreen adventure of Ash and Nebby in Ultra Space, the way Mimikyu decided to let go of his killer instinct towards Pikachu, and most importantly the fact that Ash decided to leave his Alolan team behind for reasons the viewer wasn't made privy to, and which ended up having negative implications for either the Alolan team or the previous Pokémon depending on how you read it.

And that's ultimately how Sun & Moon ended up feeling for me, with several small issues that kept adding up, until the show just couldn't handle them anymore.

3.4) The Problem of Themes and Other Technical Issues

Before to move on the closing statement, I'd like to quickly address something I've often seen brought up in Sun & Moon's defense, generally its themes justifying a lot of what it does alongside exploring the region of Alola by having Ash live there. Usually, the biggest themes I see brought up about this is that Sun & Moon is about family and meeting a world and learning from it... but while the first might have some merit, the second is very much what the show has always been about, arguably moreso than Sun & Moon has been since Ash actively travelled to meet said world rather than wait until the world came knocking at his door, and there were a lot of family-oriented moments in previous series, be they siblings or relatives. I'm sure there are other, different themes that one could bring up here, perhaps some that are indeed unique to the Sun & Moon series, but there's something important to say about themes: no matter how good the message you want to spread or explore is, if the narrative has issues, you can't excuse them on the pretense of themes, especially if it starts to be applied to every single imperfection one finds in a story. Themes are embellishments that make stories better, not substitutes for good writing.

And in terms of narrative issues, Sun & Moon has, in my opinion, quite a few of them, not just the ones I explained in the first paragraph but also some important ones involving both the way episodes are written, and how battles were handled, including the way the generational gimmicks were used. In regards the way the episodes are written, there's the fact that several of them end up involving a strange structure where the plot doesn't actually begin until the halfway mark, and while this may perhaps help with a slow pace and relaxed atmosphere, it does have the side effect of making quite a few of them feel dull to watch, especially older fans used to the rhythms of the series before this iteration.

Bigger, and most pressing, are the problems of battle writing this season ran into, which go deeper than just the absolute downgrade in battle presentation, but go straight into how the battles were written. One noticeable thing that feeds into how slow the battles ended up being is the fact that commentary became just as commonplace as it used to be in the earliest series, constantly breaking the action on a regular basis rather than letting the scenes flow more often than not. Beyond that, the biggest problem is that, more often than not, the battles aren't decided by skill or strategy (though there are occasional skill-based bouts), but rather who feels a bigger drive to win or happens to fire their Z-Move last, which coupled with the removal of most of the minor battles that could go either way to mostly focus on the big ones that have to absolutely be resolved a certain way, leading to such gems as the already mentioned battle with Hau where an otherwise good Ash ended up slipping his Z-Crystal just so he could be distracted and lose due to it, or one where Gladion managed to completely tank a Z-Move only to reply by his own, out of nowhere new Dragon-type Z-Move. It made battles dull to follow more often than not, especially with battles often falling more on shows of strength or exchanges of moves with no real rhyme and reason rather than giving the impression that the trainers had any real plan behind their orders (Ash constantly falling back on relying on an incompletely learned move in Ash VS Hau being a particularly blatant case of it showing).

And relatedly, another major issue of the series overall is the way it choose to handle Z-Moves. Compared to Mega Evolution being a fairly consistent 'have the stones + have the bond = Mega Evolution' in the previous show, Z-Moves depend on several factors, from getting the pose right to having a correct amount of focus and bond with the Pokémon to if the Pokémon used them before, and as a result, the entire idea of mastering Z-Moves feels wholly inconsistent: sometimes you can have characters with perfect relationships with their Pokémon completely failing at using their Z-Moves, sometimes characters like Mallow that first chided others for not getting the Grassium-Z pose right and then ended up unable to master Bloom Doom well until the League match, sometimes you can have characters that get Z-Moves right with Pokémon they never even saw before, and everything in between. It feels extremely arbitrary, and makes 'mastering Z-Moves' feel less down to the characters' agency and more down to whether the writers feel like having them master them or not.

But, if I may say, the real biggest problem of the series is that, simply put, it often raises questions it never manages to answer satisfactorily, just creating a situations were things are left so vague everyone has to either remain confused at what happened or supplant it with their own headcanons. Counting just some of the important questions: Why did Ash choose to go to school instead of a typical journey? Why was Tapu Koko so interested in Ash? Why did Ash receive Nebby from that Solgaleo and Lunala? Why did Nebby leave at the end of his arc? Why do Giovanni and Nanu know each other so personally? Where did that Lunala come from? What's the deal with Dusk Lycanroc and Meltan? Why does the Pikashunium-Z manifest? Why did Naganadel return? Why does Magearna know Mohn's location?

I have no clue. And frankly, I'm not sure if Sun & Moon knows, either.

4. Conclusions

And with this, I reached the end of this long dissection. It probably got pretty ranty, and it may sound excessive considering this is all the result of overanalyzing what's ultimately a kids' show, but I think I covered most of everything I wanted to. So, in the end, with so much said, what are my final impressions of Sun & Moon? Well, I'd say the amount of fun you'll have with it will depend exactly from what you want of it.

In spite of all my critiques, I'm fairly aware of how people just looking for a good time to cheer themselves up with occasionally emotional moments will find definitely stuff to like. Less critical-minded viewers will also definitely find something for everyone in there, and perhaps enjoy what the series has to offer. My personal opinion is that, ultimately, at its best Sun & Moon can be one of the best entries of the Pokémon Anime, while at its worst, it can be even worse than entries like the Best Wishes series. And as someone who likes consistency in terms of what a series has to offer, I found Sun & Moon a quite irritating watch to do, and probably my second least favorite entry of the series even with its good moments.

Overall regardless of which opinion you will have ended this read in, I hope you found my thoughts interesting to read about, and whatever opinion you hold of the Sun & Moon series, I respect it, and, in case you enjoyed it more than I did, I'm glad you did.

As for me, I officially consider the Gen VII Anime a closed book. With the new series starting soon enough, I'm optimistic that things will only look up from there. Not just for me, but for every other watcher as well.

So, regardless of what the future may hold for this show, I'm looking forward to continue my journey reviewing it with all of you, hoping in better stories to be told.

[herstarburststories]

Brutal (Dean Winchester x Reader)

✾ A/N: More Dean x reader content, but angst this time! Reposting because I had to edit a few things. Gif's credits on it.  Based on the song ‘from the dining table’.

✾ Summary: Unlike her boyfriend, Dean Winchester, the reader wasn’t raised as a hunter. At first, it seems like a hard but worth it job. Unfortunately, you didn't have in mind how brutal all of it could get.

✾ Words: 3k.

"YOU ARE NOT YOURSELF ANYMORE, DEAN!"

The discussion over a delicate subject at the dining table was blossoming into something bigger. (Y/N) was on her feet, shouting at her boyfriend with a shaking voice; a manner that was very uncommon. You were used to Dean being stubborn, and you were not behind him in this aspect which caused a few disagreements here and there. That certain argument, though, was definitive in every meaning of the word.

"I HAVE ALWAYS MADE IT FUCKING CLEAR WHAT THIS LIFE WAS, (Y/N)!" Dean snapped back, anger dripping from his words like venom. He was hurt. How could you say that he was becoming a cold-hearted person? You, of all people. "IF I DON'T KILL IT, IT KILLS ME! THIS ISN'T AN APPLE PIE LIFE, AND YOU KNEW IT WHEN YOU DECIDED TO STAY HERE!"

"I'M NOT TALKING ABOUT VAMPIRES OR POLTERGEISTS OR WENDIGOS, DEAN! FUCK!" Your usual efficiency with words was starting to tangle with desperation. Dean didn't even see the problem, for God's shake. How could you keep this up? "I'M TALKING ABOUT THE PEOPLE! I SAW YOU KILL FIVE POSSESSED PEOPLE TODAY!"

"DEMONS!" He groaned and slapped the table. You jumped in surprise, making him regret getting out of control and coaxing a softer, calmer tone from his mouth. "I killed demons, not people."

"The demons were possessing them, and you killed them off without any regret. You didn't even take a minute to consider other options."

"What other options?" he questioned, obviously upset. What the hell were you doing? Becoming the devil's advocate all of sudden?

"Using the demon-killing knife to stab a non-vital part of their bodies? Maybe an exorcism?"

"None of those options would end the problem permanently. Do you have any idea how many sons of a bitch came back from hell to get Sam and me? It's them or us, (Y/N). And I will always choose us." Dean was aware that you weren't raised in this life like him and Sam, but this conversation was becoming frustrating and confusing. You were training to be like them. You went to hunts with them. You... You supported him. At least, you did last time he checked. "The human is long gone when they get possessed. Dying is the best thing that could happen to them after that."

You were supposed to be an easy case that turned out to be more complicated than previously expected, what meant both of them staying a little longer in the city, you catching feelings for Dean and vice-versa. After all you had seen, you knew that normal life was a long lost memory that you didn't wish to visit, leave alone live in. Hauntings, traveling across the country, having no banal responsibilities-- that seemed like the kind of dangerous fun you had been looking for your whole life. Then, you came with them. Killing things had never bothered you-- they weren't actually alive, for starts. Until you saw how cold Dean looked when he killed off possessed people-- the humans that were still in there somehow. And he kept doing it as if it were the only option. Of course, this job and violence walked side by side, but not unnecessary lethal choices. Dean certainly shared his portion of brutality, which wasn't tiny, but you would never picture your boyfriend as uncaring. Not until you watched five bodies piled up together, burning. What about the chance that those people should have gotten?

"Are you even listening to yourself, Dean? What if Sam had thought like that when you became a demon!?" Apprehensive, you tried to make him understand what was wrong.

Dean clenched his jaw before his answer came out, "Those are two different things, (Y/N). You know that."

"I..." You flinched, taking a deep breath and letting it out. You shut your eyes before opening them with a determinate glare, locking your gaze with his green one. "I can't. I said I would stand by you through anything, but I can't let this slide. Not like this."

"Because I killed a few demons?" The older Winchester grinned wryly. He was furious, scared by the possibility of you leaving him, and injured by your words. What else could a wounded animal do besides attacking? "I survived, (Y/N). I've killed many others, and I'm not fucking sorry for it. They had it coming. You knew that was my life, and you chose it. What are you going to do now? Play the coward? It's a dirty, fucked up job, but someone has to do it, and you knew that."

Offering a sad smile, you walked towards him and lifted your hand to claim his cheek only for him to pull away from you. Your heart ached, but you needed to do that. Stick to your morals and beliefs.

"I love you." And you did, you truly did. Unfortunately, blood was as normal as water in his mouth, and you couldn't help but remain nauseous after what you tasted. "But there is a better way. Maybe not perfect, but another decision. And if you can't see that, if you can't see why I find it wrong to just rush around with the knife in every situation--" Your voice almost broke. "Goodbye, Dean."

You turned around, passing away from the man you loved before another speech stopped you.

"I bet you regret leaving your home to run away with me now."

You didn't take two seconds to reply, and you desired that he could understand how hard it was for you too. "I would never regret you."

No ray of sunshine licked Dean's face to wake him up. Fortunately for the Winchesters' disorganized sleeping routine, the bunker prevented the sun from invading the window-- a perk of living almost under the land in a bunker.

Instead of a normal reason to emerge from his rest, Dean's eyes fluttered open from an annoying migraine. Perhaps he went a little too hard on the alcohol yesterday, but that was the last thing that mattered. Besides, even if it was an abnormal sensation, he wouldn't trade it for sake of 'drinking like a normal human being', as (Y/N) had teased him so many times before.

(Y/N).

It took two seconds after recovering consciousness to think about you.

“Where are you?” he said in a whisper, playing with himself to the silent walls. Dean laughed with his own brand of self-deprecation-- a learned cruelty to dilute the tug of his emotions before the eldest Winchester had to get up. He knew exactly where you resided and why you were there. He decided against feeding his masochism for once, not glancing at your side of the bed.

To face the light fixtures above him only made his current situation more depressing, just like the hints of paint that (Y/N) had once thrown there. Dean Winchester knew pain like no other; hell, purgatory, an emptied childhood, watching his mother seal a deal with a demon, living with the fact his father had gone to hell to save him, being right in front of Sammy when he died, all the bloody deaths he’d lived through again and again-- the list would go on. He could probably drown in an ocean of his deceased loved ones’ blood and swim there for hours until he reached its edge.

Most of the time, the life of a hunter was synonymous with tragedy.

Therefore, Dean was very experienced when it came to suffering. He even shared a last name with a rifle, for God’s sake. Destruction was stained in his bones. This time, it was a different kind of torment.

His heart had been broken before, sure. He wasn’t in his early twenties, neither was he a saint. Dean was aware that a break in relationships could be devastating.

But again, this time, it was different. (Y/N) had not only broke his heart. You ripped it out and threw it in the trash as you walked out the door without looking back. His trust was in your pockets, and the beliefs clinging to the divine sensation of your touch that left with you.

Dean Winchester was hopeless. Deciding not to mourn for a bit, he closed his eyes from the melancholy. It wasn't a hard job to fall asleep once more. People in his job were always heavy-eyed.

Forty minutes passed by the clock until the Winchester roused again. This moment felt missing without you snuggling up to him or kissing his neck between foolish giggles or even pushing him out of bed when you felt like playing the prankster.

There was no valid reason to remain where he was, glaring at a stupid ceiling that held nothing but an old light you installed together and memories. The yellow and blue paints still held firm where you’d spattered them, jumping in the bed together with your hands drenched in the colors from a gouache paint container just because you’d found the tins somewhere in the bunker. You and Dean became a tangled mess of greens, dirty with paint and kissing. How many sexual encounters happened here, he thought, glaring at this ceiling that looked like three-year-old Sammy’s art project.

The green-eyed man never thought he would feel nostalgic about a stupid ceiling. He had to get out of that room.

Finally raising from the mattress, Dean yawned as he padded towards the kitchen. He didn't mind checking what time it was, knowing he needed an alcoholic getaway. The Winchester sat down, sharing a bottle of Whiskey with his shadow. How distracting it was to make his throat burn when an unpleasant thought attempted to take control of his head.

If he had dared to look through the room, Dean would have noticed the clock's arrow pointing at 10:50 am.

By noon he was already drunk, which took a lot of effort since his tolerance to drinks was a bar high set. Dean groaned, displeased. The buzzy feeling of befuddlement hitting him certainly helped, but he could still affirm that he had never felt less cool. His body was starving for something that wasn't there anymore. Dean's feelings were all over the place, and he didn't have the energy to pick them up at this point.

"I can't believe you are drinking already." Sam sighed, making himself known by Dean in the kitchen. In response, all he got was his brother holding the glass up and drinking all of its bronze liquid. "It's barely noon, Dean. You-- Wait. Are you drunk?"

"Don't start, Sam." He groaned, holding his own cheeks with fingers as his hands slid down to his chin. The gesture was a habit of Dean's when he was fed up with something.

The younger one offered him an indignant glare, which was soon replaced by empathy and sorrow as he watched Dean. His brother was broken. (Y/N) running away from them had really taken him down. Part of Sam was hurt as well-- after all, you were his friend and confidant. But, in all ruthless honesty, he couldn't speak out and point fingers at you on that. Not about the whole situation, at all.

Yet, if Sam was feeling abandoned by his friend, he could only imagine what Dean would be experiencing. You had been a hint of happiness in the middle of misery and combat for Dean. It had been so long since Sammy saw his brother like that, so very long. Suddenly, it disappeared like smoke. And the worst part was that he understood your side. Deep down, the long-haired man knew Dean did, too.

Trying to knock sense back into his brother, or at least a bit of normality, Sam spoke, "You can go out and buy some whiskey. Your bottle was the last one."

"Yeah, right." His voice was impassive, almost serious for such casual conversation. He got up, going to the table to grab Baby's keys.

"Hey, Dean..." Dean turned around to face his brother. Sam’s expression was cautious, voice soft when he continued: "If you want to talk about it, I'm here. It could help."

"I'm pretty sure you heard the screaming yesterday, Sam," Dean replied dryly, an unsettlingly wry smile surfacing. His walls were up. It was an old defense mechanism. "There is nothing to talk about. She left. The sooner we can accept it, the sooner we can move on."

"Move on? You want to move on?" he questioned suspiciously, eyebrows arching to match his inquiry.

Dean didn't answer. He only picked up the keys.

"Dean--"

"Yeah, I think we are out of eggs, too," Dean interrupted. He didn't need to talk about it. Not now. "Whiskey and eggs, got it."

Any other remarks from Sam were ignored as he walked through the door, trotting in direction of his beloved Impala. An old song on one of his cassettes was the soundtrack to his five-minute ride to the nearest store.

Dean went searching for eggs and whiskey, adding a lemon pie that smelled better than himself-- not that it was difficult considering he hadn’t showered since yesterday. The store’s cashier swiped his credit card and offered a polite farewell that was replied with a nod. Everything seemed so normal in the most boring ways.

In the parking lot, a familiar face appeared for the first time in a year. It was Thomas-- a hunter that Dean, you, and Sam had come across during a job in New Mexico.

"Winchester!" The blue-eyed man smiled, making the scar near his lips more evident. Being thrown out of a window left marks sometimes. "It's been too long, dude."

"Cavill." His lips curved into a small smile as he greeted his friend. Laying his green eyes on him, Dean couldn't avoid noticing a familiar shirt. Fuck, he must be hallucinating or thinking too hard about foolish subjects. "Where have you been?"

"Burning bones, decapitating vamps. Same old, same old." Thomas waved his hand, banalizing the supernatural routine as if it were nothing but another Sunday. For them, this was true. "I saw (Y/N) yesterday. She seemed fine. Separate hunts to take different cases?"

His blood burned through an emotional fever in realization. It felt like the boil was intense enough to melt his bones if he remained in front of the other men for too long. Thomas had never been subtle about finding you attractive, and neither was his constant flirting when your cases collided. It didn't help that you and Dean weren't together back then, even though the tension was obvious for anyone. The Winchester gripped his grocery plastic bag harder, offering him a sarcastic smirk.

"Something like that." He reached the car door and pulled out his keys. The familiar red flannel, your meeting with him-- it was so obvious it was basically written all over his face, and sadly, Dean could read it well. Fuck, he wanted to drop his purchases and punch that smile off Thomas’ face. That man probably had more of what was once his. “Gotta go. See you around.”

Sliding in the car to leave this conversation before his treacherous mind could reach more detestable conclusions, Cavill answered, "If you need help, give me a call.''

Dean mumbled something but didn't care enough to give him anything beyond a nod while the Impala finally drove away from Thomas.

At that moment, he wished a bit harder that Ellen was still alive or that another bar like hers existed. The hunters’ bar was full of people who understood that death was a part of the job. Somewhere he could swallow barrels of alcohol, play darts and tell bloody stories about his world-- about the quintessential things he did to get despair out of his system to the point that he felt comfortable on his own skin again.

So, that was it? You didn't just leave him and Sam, but you also accused him with all certainty you had of being a cold killer, and then you slept with the first man who showed up? Who was also a fucking hunter? Why the fuck didn't you tell him how you felt sooner? He wasn't an angel-- he would be even more of an arrogant asshole than he already was if that was the case, but you knew it all along. He didn't deserve anything good in his life. He should've seen it coming.

Dean pursed his lips, deciding for another ride to a normal bar. Home and all the beautiful, tragic ghosts inside could haunt him later.

It didn't take him long to park near an establishment. For once, he noticed the strong grip he held on the steering wheel, knuckles strained whiter than usual. He let out a tired sigh, glaring at the entrance of the place before grabbing his phone.

No calls from you. No text messages from you. Just the feeling of being a thirteen-year-old boy again, just like when he was waiting for Mary to send him a sign that she was all right.

Shaking his head in disbelief, Dean put it back in his pocket and made his way to the bar. No 'welcome' board light was shining yet, and he doubts anyone but he and the owner would be there. Once he got in, two guys were sitting in a table far away, and a girl was entering the bathroom. The bartender stood behind the bar, watching some game on the small television the place provided.

"Whiskey. No ice." His words came out harsher than he expected. The guy didn't seem to notice or care, simply nodding his head and turning around go get his client's order. One more time, Dean took his phone and stared at it. There was nothing but a text from Sammy that he quickly replied to, frowning in disappointment. It was rare for you to be the first one to break after a fight, but that was more than a stupid argument. You had left. You had fucking left. And he was the only one to blame.

Such a miserable routine kept its course. Dean would drink, check his phone, and hurt himself with his own thoughts. The night came with lurking shadows, and he couldn't care less. It seemed like the ghosts had replaced the bunker for his company. He didn't want to believe you would come back because hoping and being destroyed again was too much to bear with right now. Dean couldn't even breathe properly at the thought that he would never, ever see touch you, tease you, or be with you again. You had him wrapped around your finger since the very first day until you cut your hand off and left him. You left. How could you have left? But then, how could you had stayed if you had it all in your mind before?

Someone sat beside him. Still, it didn't catch the Winchester's attention until he heard her voice. For a flash of a second, he thought it was you. Dean looked up instantly, only to find himself incredulous.

The woman in front of him looked so much like you. She could easily be mistaken for your sister. Hair, eyes, voice. Everything but the lips were so similar. The unknown girl kept her gaze on Dean despite his strange reaction to her. Repeating her former words, she asked, "What are you drinking? Seems good."

Yeah, she wasn't (Y/N). You could tell what he was drinking from miles away, just because you knew exactly what he enjoyed. In addition, you’d seen his preferences so much that you’d memorized it all without even trying.

She looked like you, though. A lot. The earlier jealousy mixed with a dangerous quantity of alcohol and anguish made his decision. Move on, just like he told Sam. You didn't call him. You weren't coming back. That was your choice. He had to shut up the little hopes in his mind.

Putting up his best sultry smirk, Dean pushed the glass on the table towards her as he answered: "You tell me."

Two hours later, he was tilting his head to the side, watching the woman in his sheets peacefully taking a nap after a long run. Her hand covered most of her face, pillow carpeted with her messy hair.

"Wake up, (Y--)" Dean restrained himself from finishing that sentence. He almost said your name. It was hard enough to keep the woman's name, which he had forgotten by now, on his tongue during sex-- he wasn't going to give in at the end of it. Clearing his throat, the hunter started waking her up again. He needed to go.

In any other point of his life, he would've considered that night a success. A hot girl was sleeping beside him after he had a great amount of old whiskey. Sammy sent a text about a new case, and he had pie waiting for him in the car. At any other moment, that would be enough to put him in a good mood all day. In any other age, that would be considered a good day. No one died, he had sex and food and was about to hunt a thing and blow whatever it was up.

But you hadn't called.

It was probably a good thing in a messed up way. It was tranquil. There was no arguing, no fighting, no hurting from either side. That kind of hurt was quite similar to being comfortable, in a tremendously distorted way that he didn't wish to feel, like not putting medicine on the wound and just allowing it to heal by itself-- yet, occasionally scratching it. The idea of a comfortable silence was so overrated. Dean would rather be screamed at by (Y/N) by now than whatever this option was.

The woman woke up and left a note with her phone as she abandoned the room. Crumbling the paper, he threw it away and touched his face. A deep breath was taken.

He had work to do.

Maybe one day you'll call me

and tell me that you’re sorry too 

But you never do

[60b3r]

Memes Kill Creativity?

Memes vs. Genes

In the 1976 book The Selfish Gene, Richard Dawkins coined the term 'meme' to describe something with symbolic meaning that spreads by imitation from person to person within a culture. This idea is an analogue to the nature of selfish gene, described similarly as a piece of genetic material possessing information required to be able to replicate themselves inside a living. The only key difference in both terms is that the gene is natural, while memes are artificial. The rest of memes' operating schemes completely mimic the genes perfectly. In our current timeline, memes as we know today are taking many forms: as image macros, short videos, and rick-rollicking music. Memes in imageboards and forums have been pushing internet porn traffic into a stalemate and putting our power grid into unnecessary burden. Of course, memes are not to be regretted, but otherwise need to be taken seriously, since they are able to put our current understanding of media industry and economic system into shame.

As with every other thing that have existed, memes are not exempt in its dualistic nature. If you ever venture to the depths of dark web, you may know that memes also took part in the infamous mimetic Tumblr-4chan War. Not only that, some memes are reportedly causing harm towards some users, even though it is often disguised or said to be a dank joke or mere sarcasm. Memes have seen its share of use in online bullying, mass shootings, and hate crimes, cowering behind the freedom of expression tag. Regardless, memes are also an extremely effective form of information transmission. Like all living systems with no set moral standards, memes do evolve and are subject to natural selection. Memes, like genes, actually work like a mindless machine. Again, this is eerily like the performance of DNA in living systems. The last thing we want from this thing is virulence.

Every day, something went viral on Twitter. Hashtags are flaring into the top trends, some videos are being watched billions of times, and another cat vs. cucumber pic garnered thousands of likes. Viral properties of a virus (duh) is defined as the capability to multiply quickly in relatively short amount of time. The term saw a huge increase in usage during the dawn of the internet age and the rise of computer malwares spread through unsecured ports of network protocol. This term is being applied to memes, as it is like a virus (which is a pure embodiment of a selfish gene). Now, a lot of people are utilizing memes to create art, because it enables them to cater the short-attention spans of current internet users. They create shorts, illustrations, inside jokes, and small comic strips. Some of you might not agree with me on this one, but stay with me now and I will explain to you why I would like to treat memes and art as a single unit of interest in this argument.

The dawn of meme-technology

Viral memes and their popularity are now often considered important in defining a time period in the internet culture. Now every netizen can somewhat distinguish the approximate age, sex, and political views of other users from the usage of rage comics, meme songs, and meme platforms they use. Intuitively we can make a generalized difference between the userbase of Reddit, 4chan, 9gag, Vine, and now Tiktok. Others, by the share of relatability with sub-genres of different areas of interest (film memes and game memes). Some others, even, in the perspectives of different social and economic class system (first world problems and third world success memes). Meme preferences to us netizens are ironically giving away our anonymous identity. Identity which the media companies are vying to get their hands on. That's where I would like to come into my opening argument: both memes and genes which originally possesses no intrinsic value, suddenly become a subject of value with technology.

How do we draw the logic, I say? The ones and zeros inside electrical systems are value-free, so does DNA in living cells. As we meddle ourselves with biotechnology to manipulate genetic material for profit, we also simmer ourselves in the computer sciences and tweak physical computation to perform better. We give value in the inanimate object by manipulating them. In our world, we often heard these expressions: that communication is key, sometimes silence is golden, and those who control the information wields the power. What’s these three statements have in common? Yes, information and expression. Memes are the simplest form of both. This is the beginning of the logic: memes are no longer in and on itself independent of external values. The infusion of utilitarian properties in memes as artificial constructs are seemingly inevitable, and for the better or worse shapes our current society.

We might have heard that somewhere somehow, the so called ‘global elites’ with their power and wealth are constantly controlling biotech research and information technology—or, in the contrary, they control these knowledge and resources to keep shovelling money and consolidate their power. Memes are one of their tools to ‘steer’ the world according to their 'progressive agenda', seemingly driving the world ‘forward’ towards innovation and openness. Nah, I am just joking. But, stay with me now. It is actually not them (the so-called global elites) who you should be worried about. It is us—you and I, ourselves—and our own way of unwittingly enjoying memes that are both toxic and fuelling the age-old capitalism. Funny, isn't it? We blame society, but we are society. But how are be becoming the culprits yet also be the prey at the same time?

Middle-class artists are hurt

Now, aggressive marketing tactics using memes are soaring. Media companies are no doubt cashing in the internet and viral memes to their own benefit. Streaming and cataloguing are putting up a good fight compared to their retail, classic ways of content delivery. This is quite true with the strategies of Spotify and YouTube, other media companies alike. They can secure rights to provide high-quality content from big time artists and filmmakers and target these works directly to the end consumer, effectively cutting the cost of distribution which usually goes to the several layers of distribution line like vinyl products, radio contracts, and Blu-ray DVDs. I believe this is good, since it is like an affirmative action for amateur artists to start a career in the art industry. Or is it? Does it really encourage small-time artists to begin? Yes. How about the middle-class artists? Not necessarily.

You might sometimes wonder, “how the hell did I get somewhere just by following the trending or hot section in the feed?”. This toxicity of memes often brings some bad things to our tables. Social media algorithms handle contents (like viral memes) by putting those with high views or likes to the front page, effectively ‘promoting’ the already popular post and creating a positive feedback cycle. By doing so, they could capitalize on ad profits on just few ‘quality’ contents over huge amounts of audience in a very short amount of time. The problem is most of the time, these ‘quality’ contents have no quality at all. They just happen to possess the correct formula to be viral, with the correct SEO keywords and click-bait titles with no real leverage in the art movement. This way, I often find both the talented and the lucky—of which the boundaries between them are always blurred—overshadow the aspiring ‘middle-class’ artists who work hard to perfect their craft.

If you are already a famous guitarist with large fanbase, lucky you, you are almost guaranteed to top the billboards. What, you have no skills? Post a video of you playing ‘air guitar’ and… affirmative actions to the rescue. Keep on riding the hype wave and suddenly you get to top trending with minimal effort, thanks to your weird haircut. Those haters will surely make a meme out of your silly haircut, not even your non-existent guitar skills. But still, hype is still a hype, and there’s no such thing as a bad publication. This also answers why simple account who reposts other people’s content could get much more followers than the hard-working creators. Not only being outperformed by the already famous artists taking social media by storm, now the ‘middle-class’ artists are also dealing with widespread content theft and repost accounts because of the unfair, bot grading system. It is unimaginable how many nobodies got the spotlight they don’t deserve just because they look or act stupid and the whole internet cheers around them. Remember, this is not always about the artist, but also the quality of the art itself. I believe a good art should be meaningful to the beholder.

Why capitalism kills creativity

The problem in current art industry is that we are feeling exhausted with the same, generic, and recycled stuff. We indeed already see there’s less discourse about art now. Sure, the problem lies not in the artist or medium, but is in the viewers—the consumer of the art form—and how the capitalist system reacts to it. The hyper efficient capitalist system doesn’t want to waste any more time and money trying to figure out what’s new or what’s next for you. What we love to see, what is familiar to us, the market delivers them. The rise of viral memes phenomenon in the social media pushes the market system to the point where they demand artists to create the same, redundant, easy art form. Listen to some of The Chainsmokers’ work and we'll see what music have become: the identical 4-chord progression, the same drop, the predictable riser, and the absence of meaningful lyrics. We sat down and watch over the same superhero movies trying hard to be the next Marvel blockbuster. The production companies are also happy not to pay writers extra to come up with new ideas and instead settle with borrowed old scripts from decades old TV drama. Disney's The Lion King and its heavy use of the earlier Japanese Kimba The White Lion storyline is one guilty example.

Despite it initially being an economic system and not a political ideology, it is untrue that many Marxist philosophers usher the suppression of art. While it is ironic that Stalinist policy intends to curb ‘counter-revolutionaries’—in this case his enemies—by limiting freedom of press and media; American propaganda added further so that it seems that the ideology is also limiting art and kill creativity. We all know the Red Scare in the U.S. during the Cold War saw a popular narrative of communism and socialism that is devoid of freedom of expression. This state propaganda then further become ‘dehumanization’ and make freedom of expression invalid under the guise of equality. Marx argue that total equality is not possible, and the uniqueness is being celebrated by having them doing what they do best and provide the best for their community. Thus, an individual's interests should be indistinguishable from the society's interest. Freedom is granted when the whole society is likely to benefit from an action. According to Mao in his Little Red Book, freedom of expression in art and literature, after all, is what initially drive the class consciousness. It is capitalism, not communism, that kills creativity.

If left unchecked, the threat of this feedback loop is going to cause a lack of diversity, resulting in stale content, less art critique, and overall decline in our artistic senses. Artists’ creativity that are supposedly protected by the free internet are destroyed within itself through the sheer overuse of viral memes. Capitalism has successfully turned the supposedly open, free-for-all, value-free platform that is the internet against the people into a media in which they are undeniably shaping new values on its own: the art culture that's not geared towards aesthetics and appreciation, but towards more views and personalized clicks. How social media and media industry caters to the demands of the consumer are, in Marx's own words, “digging its own grave”.

Spare nothing, not even the nostalgia

Well, people romanticize the oldies. The good old days, when everything is seen as better and easier. Look at the new art installations that uses the aesthetics of naughty 90s graphic design to become new, the posters released in this decade but with an art deco of the egregious 80s pop artist Andy Warhol, or the special agent-spy movies set frozen in the Nifty Fifties. Nostalgia offers us a way to escape from the hectic choices of our contemporary: different genres of music, dozens of movies to watch, and different fashion to consider. We choose to settle with our old habits, that we know just works. Remember how do we throw our money on sequels and reboots and remakes of old movies we used to watch during our younger days? We don’t even care about new releases at the cinema! Did you remember how Transformers 2 and their subsequent sequels perform at the box office at their opening week?

The huge sales of figurines and toys of Star Wars franchise—if we could scrutinize them enough—came from the old loyal fanbase of the late Lucasfilm series, not primarily from new viewers. Then suddenly, surprise-surprise. Our love for an old franchise deemed dead enough to be remembered and treasure soon must be destroyed to pave way for three new outrageous sequels (the ones with Kylo Ren and Snoke) by the grace of our beloved capitalism. Sadly, nothing is left untouched by the capitalism’s unforgiving corruption. Nostalgia has become a gimmick that makes people like some art more than they should, because it’s familiar. It is another way of squeezing your pocket dry.

Not that it is bad to make derivatives like covers or remixes, but the trade-offs are far too high. Consequentially, the number of original arts is now very little, because artists don’t bother making new stuff if they just aim for a quick buck. Most of the young adult novels are essentially the same lazy story progression with only different time setting and different character names. Most of them even have the same ending! No more a beautiful journey like the thrillers of Dan Brown or the epic adventures of Tolkien’s Lord of The Rings, which defines their respective times. Do we seriously want to consider Twilight and 50 Shades of Grey as a unique work? Isn’t the Hunger Games and the Maze Runner essentially the same?

If you play video games, you must have known that the trend always starts over. Game developers are making gazillions of sequels, and only a few of them that are actually good. Most are outright trash. Oh, wait, old video games like Homeworld are also getting remasters to cater the demand of nostalgic consumers. No new Command and Conquer release from EA Games? Re-release the 25 years old Red Alert because people will re-buy it! Profit!

15 June 2020 8.03 PM

[duhragonball]

I hope they let your episode 147 thing get posted.

They did eventually, but man...

People say a lot of artists fled tumblr when that porn ban went into effect, and after this past year, I can totally understand why.    I can only imagine how frustrating it must be to put a lot of work into a piece of art, only to try to post it on here and have to deal with the flagging system on this site.  

I say “imagine”, because even though it’s happened to me multiple times last year, it’s not quite the same, because all the images I post that get flagged are screencaps.    And that shows me how abritrary Tumblr’s flagging system really is, but it also lowers the stakes for me.   When they play keep-away with my posts, it’s not my own work that’s on the line.   I could have gone text-only and bypassed the whole issue.  

At the same time, I really wanted to have pictures, because it’s dumb to have to describe every single thing, and this is supposed to be a visual medium, dammit.   This site has made it its mission to discourage artistic expression.   There’s ways to get around it, and ways to work within the system that’s in place, but it’s such an arbitrary and hypocritical system that I don’t blame anyone for noping the hell out of here.  

What kills me is that there’s still just as many spambots and pornbots on this site as there were two years ago.  That’s because Tumblr’s new flagging system is automated.   It’s only designed to frustrate humans, not bots, which will happily continue spamming whether their content gets flagged or not.   It’s a glimpse into a future world where the whole internet is a big war between bots that try to break the terms of service, and bots that are programmed to enforce the terms of service.    The humans are just stuck on the sidelines, hoping to post a few cat pictures in the middle.

Lately, I’ve been watching videos by Company Man, where he explains, among other things, why certain brands declined and went out of business.   This one about Kmart kind of stuck out at me, because when I was a kid, Kmart was kind of a big deal, but now it’s at death’s door.   It’s easy to blame these things on the internet or other technology, but Target and Wal Mart are fine.    The video goes into greater detail, and discusses how Kmart bought a bunch of other businesses in the 90′s, then declared bankruptcy, and eventually merged with Sears in 2004, which was experiencing a similar malaise.

As the Company Man explains toward the end, the underlying problem is that no one wants to shop at Kmart.   The stores look outdated and depressing.  I kind of noticed that as far back as 2004, when I used to occasionally check out a Kmart that was part of a mall.   If it hadn’t been attached to that mall, I probably never would have gone in the store, and the whole place looked like a low-rent Wal Mart.  That was 15 years ago.  Now, the stores look exactly the same, because the business is in so much debt that they couldn’t afford to remodel if they wanted to.   Their cash registers are the same clunky old machines they would have used 25 years earlier.  And stuff like that hurts their relationship with the customer, especially when there’s so many other options for shopping.  So maybe their mistake was in wasting all that money in the 90′s on acquiring other businesses, when they should have invested that into improving their stores, where the revenue is actually generated.   They got so big that they forgot about the customer, and now they’re probably months away from vanishing from the face of the Earth. 

It feels like a lot of businesses make the same mistake, where the leadership is more focused on moving money around than focusing on the core business.    Toys R’Us went under because they got purchased in a leveraged buy-out in 2005.    That means the buyer used the company itself as colateral for a $6 billlion loan, so from the moment the deal was inked, the company was saddled with a $6 billion debt.   The internet and changing markets hurt them, sure, but the huge debt only made things worse, and it too 13 years for it to catch up to them.   It makes you wonder why so-and-so was so desperate to buy Toys R’ Us in the first place, if the only way to do it was to cripple the company.  

I feel like Tumblr’s kind of on the same path, where they’re more worried about pleasing Apple or their current owners or whoever, and the users are taken for granted.   For my part, I can live with that, but I’ve definitely realized that there’s certain types of projects that Tumblr just can’t support.    I can’t post long-term, multi-post things on here, where you sort of want to follow them in order, because Tumblr will take down one post and force me to repost it out of sequence.   It just isn’t worth the hassle.   And that’s not a big deal, I’m just some jerk, but there could be really talented people who could make this website flourish, and they’re more interested in chasing them away than in keeping them happy.

Art will survive, of course.   The websites that respect it will survive, and the ones that don’t will suffer.   Everyone talks about letting the free market decide, and the free market usually tends toward the the free exchange of ideas, with sensible, responsible moderation.   Kick out the Nazis, and don’t piss off the real creators.    That’s what people want, and I think somehow, someway, that’s what they’ll get.   It remains to be seen if Tumblr will figure that out before it’s too late.

[scige-archive]

LIANA LIBERATO / CIS FEMALE. — saige beaumont is really making a name for themselves as a sheep. i think that she is studying criminal psychology + linguistics in their junior year at lockwood, living in alpha nu. originally from thibodaux, louisiana, saige is known to be blithe & energetic, but can also be evasive & irrational. — james / 20 / est / she/they.

hi !! this is mostly just a repost, but there has been added information to her biography section, as well as her connections to the victims. i’m excited to continue rping with u all !!!

TW DRUG USE, ALCOHOLISM, IMPLIED ABUSE, ADDICTION, HIT & RUN.

a e s t h e t i c s

stick n’ pokes at 2am – when your drunk and giggling too much in between purposeful stabs, avoiding the cracks in the sidewalk because they’re bad luck and they’ll break your mother’s back – even if your mother doesn’t love you, because you love her, the familiar riff in an old song – one that’s got you strumming along silently; there is no guitar, only empty air lit by the christmas lights you haven’t taken down. it’s may. swallowing down shots, and by default, swallowing down problems. laughing quick, easily, constantly. skinned knees from skateboarding, despite being rubbish at it. wishes on eyelashes stuck to your cheekbones, glitter sticking, running into the ocean at sunrise; feeling at home. excuses, and the many forms they come in. telling people you love them through hand squeezes and fresh muffins, sideways glances and soft, eager grins.

general info !!

full name: saige alouette beaumont

nickname(s): n/a so give her some uwu

b.o.d. - july 7th, 21 whole yrs old.

label(s): the hedonist, the icarcian, the reveler, etc. etc.

height: 5′7″ !!

hometown: thibodaux, louisiana

sexuality: firstly when aren’t my babies bi as FUCK but she also prefers masc-presenting folks

pinterest

stats

biography !!

the fallible daughter of two very infallible people: robert beaumont, US lieutenant general, and manon levesque, world renown fashion designer. both calculating, cold, and purposeful.

saige never believed she was created out of love. it was an action with a purpose, intentions to create the perfect child. the hybrid of both military genius and fashion extraordinaire, molded to their will.

it took them no more than six months after her birth for her parents to up and move, thus beginning the cycle of packing and unpacking, flying and driving, state-to-state and country-to-country. the longest saige had ever stayed in one place was two years.

kept on a short leash, homeschooled, and learning skills she had no interest in – she was more like a pet, a project, than a child. the world moved all around her, but she felt restrictively tethered to her parents.

she had always felt this way. a bird in a cage of thorns.

it was hard to keep and maintain friends – saige would be there one day, and gone the next. a ghost, a very visible ghost. even so, she tried her hardest.

running from bodyguards (nannies, in a sense. her father is a paranoid man) into festival crowds and climbing out of windows in the dark of night to swim in lakes with locals she’d meet only a few hours earlier – she absorbed as much of what she could get; this intense, undying love for a world she had always craved to see.

it was the start of something near dangerous – a phase that seemed to never end, rebellion coursing through her veins. a wild child in the making, unknowing of limits. the bad sort of crowd was the crowd she found herself landing, more often than not – introducing the sheltered girl to a world she hadn’t quite known existed

she ran away, briefly, at age fifteen with a man three years older than her – which nearly ended up in a tabloid magazine if it hadn’t been for her parents’ money. though the guilt of her parents’ disappointed weighed on her, the thrill fueled something much worse

from that point on, she became a problem child. from public intoxication to vandalism – it was clear their daughter was unraveling and nothing could contain her.

boarding school was a small attempt to stop it – she got expelled.

she hadn’t intended to go to university, either – but, by some chance – and after a mysterious year-long disappearance from public eye during her eighteenth year of life, next thing she knew, she was a student at lockwood university.

she was involved in a getaway chase from an armed robbery at a bank which then turned into a hit-and-run in washington when she was on the brink of turning eighteen. it was a situation she had no control over, not knowing her role in the scheme until it was too late to turn back. the victim survived but saige’s family has been paying the medical fees since then. her parents haven’t spoken to her since.

ever since the accident, saige has avoided causing too much trouble - generally staying out of headlines and tabloids, partially in fear of her parents finally cutting ties, and partially in fear of doing something that’ll cost another person their life.

and while too afraid to visit the victim & their family, every month since the conviction of the others involved - she’ll visit one of them in particular. it’s been three years and saige has shown no sign of stopping.

during her last visit, he had sent her on a scavenger hunt resulting in her breaking into his brother’s (& his, technically) home and finding a second iPhone - one she had no idea he had, one with the watershed app installed. their intentions was for saige to be able to access the app - but his shepherd access had been revoked, and the phone had already been wiped clean. regardless, saige took it back to rochester with her.

personality !!

bubbly. so fucking bubbly. she’s got so much fucking energy on her – she goes running every morning and every night and swims like every afternoon and she’s n e v e r tired ?? the personality of a coke bottle shaken up but like if the bottle could laugh.

tries her hardest to be the Happy Fun friend, y’know, the one who can hook you up w/ some sicccc shit b/c she befriended/possibly slept with her drug dealer and now she gets discounts.

like, generally, comes off as very confident of herself and fearless and, like, yes–reckless, but like a fun reckless, y’know ??

talks a l o t, could ramble for days, hand gestures and all.

if she wants to do something, she will do it and there’s not much you can do to stop her tbh. she’s very easy-going, very go-go-go, very…mischievous, y’know? even if she’s trying to do something stupid you kinda just have to let her do it or otherwise she’ll mope for three hours and pout at you and you’ll feel ?? this weird sense of guilt ?? which isn’t the Best thing but she’s not the best person either so dfghjh

a vegetarian !! meat makes her sick, like, physically.

uuuhh her vocabulary consists of a lot of ‘likes’ and ‘ums’ and ‘y’knows’, y’know ??

i am like 99% sure she’s got adhd but she’s never been diagnosed with it b/c her parents suck with that stuff. her parents sort of suck in general.

like…she’s currently not on speaking terms with them. she’s not disowned…like, yet, but they haven’t said more than like five words to each other since saige was eighteen and it k i l l s her but they also send her a shit ton of money every month so.

owns like…four cars…..she has them all on campus…..she prolly isn’t suppose to…but she does…one of them’s a real sleek sports car, one is a jacked up pick-up truck that’s decked out in like LED lights n shit, one is the same exact fucking car from the princess diaries b/c saige is obsessed w/ the movie. the other is like. a mini cooper probably.

a photographer, her walls are covered in photographs and art and taped-down plants and in general her room is very ?? cluttered ?? like it’s very home-y but god. she’s a mess. clothes everywhere. she’s probably got a pile of instruments and other miscellaneous hobbies on a chair in the corner that she hasn’t touched in a while

speaking of !! she has a bunch of random, like, skills ?? like knitting and sewing and cooking and three different forms of ballroom dancing, and she can definitely work a gun and a car engine except she goes thru interests so rapidly and is disinterested in most of the other ones b/c her parents forced like half of them onto her.

she plays bass guitar. she loves her bass guitar. she knows other instruments but the only ones she’ll really fidget with are her bass guitar and like, her violin. everything else she’s like ~okay~ at

got really obsessed with languages at a young age and started learning them ?? her mother is like. super french, like genuinely from france, so she already grew up speaking both english and french but she’s learnt others for the hell of it and she’s still learning like three other at the same time which is a MESS but she’s a mess so like can u blame her sdfghj

but like i said, she’s v e r y reckless. very much a party girl. she uses like…quite a few drugs, both socially and alone and frankly – she’s rarely sober.

a budding alcoholic because she’s convinced that without it she’ll be Miserable and Horrible to everybody because she’s a Horrible, Awful person who is the absolute Worse and if drinking vodka mixed in with 23 crystal lite packets helps with not thinking like that then she’ll do it no questions asked

its a problem she’s been developing since she was younger, only amplified by … the situation, that happened when she was eighteen.

is essentially wearing this mask of confidence and giddiness and flirtatiousness b/c she doesnt want people to think she’s doing Not Okay.

she loves so much. she loves everything, everybody. falls in love like five times a day but nothing really sticks to her either. if ur a shitty person/come off as an asshole then she’ll be more likely to be attracted to her b/c shes Always been like this. finds them super interesting which is ?? questionable ?? sometimes i want to just. knock some sense into her but y’know what…it’s fine we’re Fine

she gets around p frequently but is also the type of person who’ll like, try n maintain a positive, good friendship with whoever she sleeps with b/c the idea of having regrettable encounters is smth that Bothers her and she just pretty much refuses.

it’s honestly a bit of a problem ?? she blurs the lines between friendship and Something, Anything More too often and with too many people b/c she just. wants to be loved. but there is never enough !

she does stick n pokes !! a whole bunch !! let her give you one !! she can’t draw for shit but i mean, who cares, right ??

uuuhh her mom sends her like…prototypes of things she designs n shit that isn’t out yet and saige 100% always gives it away or it sits in her closet and essentially that is her go-to gift for birthdays or christmas or whenever she feels like it

there’s literally sm i could say about her but i’ll stop Here b/c it’s getting too long sksksksk

connections to the victims !!

tatiana samuels / saige & tatiana met when they were freshmen and junior, respectively. they quickly became friends - mostly seen together at parties, where they’d encourage each other to do more, more, more. their friendship was ended after they’d taken a friend’s car on a joyride and wound up crashing it off of a back road. saige freaked out about it & tatiana ... did not. as a result of their very different reactions, and saige’s fear of landing in the news, they cut ties.

george craig iii / saige had met george after bringing tatiana back to her dorm one night where they accidentally crossed paths. one thing led to another and they wound up sleeping together. it hadn’t meant to be a thing at all, but there had been two other incidents of them ‘accidentally crossing paths’ before his disappearance.

hana williams / for the two of them to not be friends would be, frankly - weird, due to their similar friendly personalities. they got along well, but weren’t the closest pair.

christoph wainwright / they had hooked up numerous times before without issue, but christoph’s jealous yet emotionally unavailable personality & saige’s own conflicted feelings had resulted in a huge fight, which led to their falling out - which led to them quickly becoming enemies, instead.

wanted connections !!

give me. a best friend. just somebody who sticks by her side even though she’s a Mess

like, a ride or die ?? is that the same as a best friend ?? idc i want both :)

and just in general, like, people she’s p close to ?? she’s really friendly and is the kind of girl who’d be really popular in high school but doesn’t care abt popularity n talks to literally Everybody like she’s known them all her life.

ESP if ur muse is a lil grumpier !! she will fuck their shit up, but like, in a friendship way.

party pals, where they don’t talk that much outside of parties but inside them ?? super close. glued to the hip. hold-your-hair-back kinda tight.

frenemies ?? fake friends ?? toxic pals ?? ppl using her for her money or like, sex, or something ?? anything ??

bad influences ?? who just encourage all of saige’s shit ??

good influences ?? who are like YOINK stop being an idiot.

a tutor b/c she’s like…she’s smart, okay, but she’s also really stupid LMAO. she’s rly bad at math and science. somebody help her.

hook ups ?? fwbs ?? that one, rare one-night-stand that went weird ??

exes ?? she’s sorta noncommittal so idk how long they would’ve dated but like sjdfkbo yolo ?? ex hook-ups too ??

…somebody who just. hates her. but she doesn’t realize bc she’s a big ol’ idiot. she thinks theyre pals !!

let her b a thorn in someone’s side, just like, an absolute annoyance LMAO

gimme an enemy, or like an ex-best friend where something happened between them n it ruined their friendship

i will take literally anything i dont know

she steals ur character’s mail ?? ur cat keeps escaping and she keeps letting them inside even tho she’s allergic ??

one of those friendships where theyre always bickering like an old married couple ?? but it’s Purely Platonic (or is it ??)

an off-and-on again that just. it’s not good for either of them b/c they keep enabling each other and then getting pissed off and it’s a Mess but ?? it’s so hard to stop.

the drug dealer she keeps sleeping with even though she can just … pay for her shit. b/c it’s funner this way !

just … people where their like … relationship status is Blurred and it’s like, are they a thing? are they not? b/c she’s a mess and gets involved with too many people without intending to !

please. take her. give me connections.

[veryimportantsparkles]

Alright I’ve kept meaning to do sort of an infodump on my projects because I’ve been really slipping lately.  I dunno how obvious it is?  Probably kind of obvious.  I’ve also been really bad about checking messages and responding to people.  So I figure I can write up a status report and then point to it when I’ve been inadequate about communication.

My IRL job has been wiping me out.  I’ve been getting short, labor-intensive shifts in the evenings, and then random surprise morning shifts shortly after, which has been really hard to manage my time around.  My sleep schedule has been extremely broken and it’s affected my productivity a LOT.  Leadership in my department is about to shuffle around and I’ve been interviewed for the manager position.  If I get it I’ll be working an entirely different schedule, which could potentially be good for my sleepy brain but will definitely leave me with less art time overall.  I’ve also been enduring some back/shoulder issues over the past few months.  Nothing urgent, but it’s limiting how much I can draw each day.  I think replacing my desk chair is going to be a big factor but it’s not the only factor.  I just need to be a smart human and take care of my joints and not hunch over so much.  Working on it.

Here’s the current status of my various art projects:

Laserwing

I ended chapter 5 in June and said I would finish up some other side projects before I start concept work for chapter 6.  One of the projects I needed to finish was the Popkas Yugioh season 4 special, which I finished.  The other big one was my Neonmob card set, which is most of what I’ve been posting lately.  Once that’s out of the way (see below) I need to do concept art.  Chapter 6 will put all the Laserwing characters in new outfits which will need reference sheets.  I’ll need background sketches and layout diagrams so I don’t have furniture shuffle randomly around between scenes.  I also need to sketch out the chapter 6 draft page by page.  I’ve made Laserwing in GIMP up until this point and am going to try switching to Krita for chapter 6.  I might need to do a test page to make sure my process transfers over well into a slightly different system.  Once I’m ready to make real pages, those take a while.  Chapter 5 pages were going up maybe every 2-3 weeks.  I don’t know how many pages are going to be in chapter 6, nor can I say for sure how many chapters are in Laserwing.  An old outline had maybe 40 chapters.  It’s a story with a defined end point, I can say that for certain, but it’s intended to be long.

Popkas

I’ve had issues with Popkas for a while.  I keep picking new themes for dailies, thinking they’re going to be quick and easy, but then end up making them hard for myself.  It’s been to my benefit, I’ve forced myself into learning new art programs and techniques through Popkas.  But it’s hard to keep up the daily schedule.  Currently I’m doing the Paper Mario: TTYD bestiary, which has 124 enemies.  At a rate of one per day, by the time I’ve finished them, Pokemon Sword and Shield should be released and we’ll have all the info about the new Pokemon.  Those will be drawn in ‘Popka classic’ style (scribbly shitposts).  After those are finished, unless my IRL work situation dramatically changes, I’m considering putting Popkas on pause.  In order to do any other monster dexes I’d have to do a lot more research (for example, people have suggested Yokai Watch but I’ve never played one) in order to have anything meaningful to post.  Same deal with Popka Specials (the anime writeup things), those take prep time and anime-watching time that I might not have.  I don’t ever want to end Popkas, but a hiatus might be necessary.

Angelfire Hime

Did anyone even know about Angelfire Hime?  Well I want to post more but that involves finding, scanning, retouching, and transcribing my old high school scribble comics.  It takes as long as any other project but is also low priority because it’s all old content.  Nobody is waiting for the latest update because nobody but me actually knows what that content is, and possibly nobody but me can even read it.  It’s more a personal journey of self-reflection than anything.  I want to return to it but not at the expense of better work.

MeganFantastic dot com

I had a domain name linked to a tumblr that was supposed to be my news blog/front page and I barely use it.  Also, I let the domain registration drop.  Also, I had let a typo in my banner graphic go unnoticed for YEARS and still haven’t fixed it.  Even now, I’m writing this big post to my personal blog instead of the one for news.  The idea was to eventually buy some real hosting and make MeganFantastic a whole site of its own, but that’s a lot of work.  I’ve got a generally good idea of HOW I’d do it (probably wordpress) but I’m not a coder, it would take a lot of trial and error.  This would be a huge undertaking and eventually Laserwing, Popkas, and all my other junk would be contained on one big non-tumblr website.  But it’s uhhhhh not happening yet.

Hundera Youtube

My contribution to our LP channel is to show up, talk about video games, and then draw title cards.  All recording, editing, and channel management is maintained by Josh, and I can’t speak on his behalf about our update schedule.  I will say there are a lot of half-finished games we want to return to.  I will also say that when the new Pokemon comes out Josh is dead set on recording it.  I don’t know if he intends that to be a stream or a regular LP.  In the meantime he streams Minecraft with his friends every Sunday and we fit in our own streams and recordings when we can.

Commissions/Patron Art/etc

I’ve not been very good about this lately and I’m truly sorry!  I have a few things I’m working on, a few things I’ve promised to start working on, and a few things I’ve told people I can do once my workload lightens up, which hasn’t been happening yet.  I really don’t have an answer.  I almost never delete anything so if I’ve been sent a message in any form I should still have it, and I’ll be sure not to forget anyone.  And if I do forget someone feel free to throw rocks at me!

Rane Story 2

What the heck is Rane Story 2?  Well I guess I have to explain Neonmob.  Imagine if ChickenSmoothie and DeviantART had a baby.  It’s a virtual trading card site, which is fun and cute, and I’m drawing out a card series to release on there.  I’ve been using it as practice for painting backgrounds and to fill out some backstory for some 4th-string Laserwing support characters.  Before Mistaire came to Earth, she went to space high school, and that’s where Rane Story takes place.  You can preview the series, and when it’s finished I’ll post about it.  I’ll also repost all the art to DA.  If you scroll through the last several pages of this blog you’ll see some of the art.  I’ve put a lot of my brain energy into getting this done in spite of my work/sleep issues because I don’t want to resume Laserwing until I’ve finished it.  This is what’s stolen my life, guys.  Right now I have 6 more cards to make, and then I have to write and finalize all the text.  I should be done SOON.

Pokemon Nonsense

When my back and shoulder get too hurty and I have to take a break from drawing, one of the easy things to do is whip out a DS and play Pokemon.  I’ve done a lot of twitter shitposting about it lately.  I’ve also drawn up a bunch of gijinkas for my Pokemon.  I’m talking about it now because I also intend to draw up gijinkas for Pokemon to trade away.  I’ve already done a few.  However, I don’t know for sure how I’m going to distribute them.  The idea is people can trade actual Pokemon with me (in either X or Let’s Go Eevee) and the Pokemon they get will come with a character design for you to keep.  I was thinking I might do a discord server for organizing trades and such, but I haven’t yet.  Mostly because it’s low priority and I have SO many other things going on.  But actually playing Pokemon can happen when I’m too fatigued for real work, so the horde keeps growing.  Hopefully my posts and scribbles about it are entertaining.

I feel like there’s other projects on hold that I wanted to discuss, but right now I’m too braintired to remember, and some of my ‘projects’ never actually got talked about online so nobody’s waiting for an update.  My greatest problem seems to be that I try to juggle too many pointless side projects and then drop them all over the place.  Sometimes I’ll shitpost about an idea and even I won’t be sure if I was serious or not.  How do I end this post?  I don’t know.

tl;dr Megan is SLEEPY and dropped her spaghetti everywhere but somehow still has time to play POKEMON and WON’T STOP TALKING ABOUT IT

[sucharide]

G'day! I'm Roach. I'm a child of the 20th century and I'm a lover of gothic fiction and gothic romance. Yearning for an era before the algorithm. Profile picture by the talented @missygoesmeow.

Minors, please do not interact with my blog or my work.

If I ever reblog ai generated content, please let me know and link to the post. I will only ever intentionally reblog generative AI if it is a post about identifying generative AI.

I write fic! Please find links to my work under the cut. There are links to the Ao3 page, and also to the original tumblr post I shared them here with.*

Please read the tags in the individual fics -- I write smut that might be upsetting.

Ghost:

A Problem of Mind and Body 5,900 words (explicit) x

The Cardinal creeps into your room at night, intent on teaching you a lesson about the value of obedience, and the joys therein.

Poor Beast in the Catacombs 9646 words (Chapter 2/3) (explicit) x

Hiatus because writing hard but chapter 3 is coming i prommy. i do this for free. im getting there.

Quiet had been the want you bore for the Cardinal. He seemed a man so devout in his studies of the Satanic faith that you had considered him, perhaps, uninterested in that most delicious of Sins - Lust.

It is at Mass one night that you realise perhaps this may not be true, and you can no longer silence those lascivious thoughts and fantasies - but it is on his terms that these passions will be unbound.

Dark are the catacombs - but there are pleasures to be found there, if only you submit to the shadows.

Cover art here by @meowsaidmissy - it is beyond gorgeous!!!

Also, peep this incredible artwork and this gorgeous artwork, both by @meowsaidmissy

What You Deserve 5819 words x

When the terrible inferno consumes you, catharsis comes bloody and destructive.

Perhaps, though, you do not deserve this.

Ritual and Ruination 6911 words (explicit) x

Cardinal Copia has been avoiding you all day, and you do your best to respect his need for space - but when he backs out of Mass with no warning, you're sure something is wrong. When you go to check on him... well, you're not ready for what you find.

Ritual magic can have very strange, very delightful side effects.

A Violent Shower 3979 words (explicit) x

In which the Cardinal makes promises in front of the entire audience - promises that are up to you to fulfil after the show.

Sacrificing Nothing 2761 words x

You thought he knew you better than this - but still, you find out he wants to ask the impossible of you... to be his Prime Mover. But really, what were you thinking was going to happen? He is Papa. This is the way of things, isn't it?

Late Night Worship 4864 words (explicit) x

After watching the Cardinal’s… exertions… on stage, you’re having trouble getting to sleep. There’s something about him that you can’t get out of your head. Perhaps you need a little bit of exertion yourself before bed?

Tumblr only fics/ficlets/headcanons:

Headshot - fic (explicit), inspired by this Ghost chapter: x

Pantysniffing Copia - ficlets (explicit), what it says on the label

Baldur's Gate 3:

Ficlet 16/11/23: Tav x Haarlep in the boudoir bath. Dubious consent. The steam is implied to be a drug-like substance. 324 words. (explicit)

Being able to distinguish fantasy from reality is literally SO sexy.

*NOTE: my fics are exactly where I want them. Do not ever repost. My fic are currently locked to AO3 users only due to data scraping concerns — go get an account! It's worth it, I promise!

[pinned edited 14/07/2023]